Karavansara

East of Constantinople, West of Shanghai


Leave a comment

Geishas, real women, and Lovecraft Country

It was weird, in a way, watching the sixth episode of Lovecraft Country, last night. One of the two best episodes in what I still feel like an uneven series, fraught with some “typical” HBO problems, Episode Six is set in Korea during the Korean War, and centers on a local girl in love with American movies, and serving as a nurse in an hospital. I won’t say more not to spoil you the fun.

What made the experience surreal was that I had spent part of the day,so to speak, in Korea – first, re-watching the classic Train to Busan for the next episode of the podcast I co-host with my friend Lucy, and secondly because I’ve been reading a very interesting book that puts everything in a different perspective.

Continue reading


4 Comments

Charles R. Saunders (1946-2020)

I have just learned of the passing away, early last week, of Charles R. Saunders, the author whose Imaro was the first character in a fantasy genre that would come to be known as Sword & Soul, and whose catalog included some of the best fantasy produced in the second half of the 20th century.

I am absolutely devastated – no more than two weeks ago, I was suggesting Charlse Saunders’ books to a contact that was looking for some different take in sword & sorcery – and the recent reprint of the first Imaro book was just what he needed.

For me, Imaro was, with Elric, the first sign that there was life beyond Conan, and I still have my trade paperback of the first volume.

It’s time for a thorough re-read, in remembrance of a great writer.


2 Comments

An idea for a new series

Ideas are everywhere. Last night I was recording the new episode of my podcast, Paura & Delirio, about the 2001 French movie Brotherhood of the Wolf, by Christophe Gans. And as we were chatting about the two leading ladies on the movie, my friend and partner in crime Lucy enthused about the blade-tipped fan used by Sylvia (Monica Bellucci), and we both lamented the fact that the main character at the end decides to go away with the pretty but rather insipid Marianne (Ăˆmilie Dequenne) instead of accepting the offer to work as a secret agent for the Vatican teamed up with Sylvia.

And I pointed out I’d pay to watch a series of movies – or a good, high budget TV series – based on that concept.
Or, missing that, write it.
No, really, follow me…

Continue reading


Leave a comment

Hard Boiled & Pulp: Kiss Me When I’m Dead

Yesterday I finished my final revision of my non fiction book (yeah, I know,I told you that already) and I sold a pitch for another book (I am waiting to sign the contract, so it’s still very hush-hush). So to celebrate I went and bought me a few books, and because sometimes the Amazon algorithm is your friend, I ended up with a Kindle-full of (mostly free) books.
Nice and smooth.

On top of that, I got a bout of insomnia, and so spent the whole night reading, going cover-to-cover through Kiss me when I’m dead, Dominic Piper’s first book in the PI Daniel Beckett series.
And it was quite fun.

Set in contemporary London, the novel follows the former insurance investigator Daniel Becket as he’s hired by an arms dealer to track down his missing daughter, a girl that has a history of drugs and dangerous liaisons.
It won’t be an easy job.

The general set-up is very classic and very pulp-style – Beckett is an ultra-competent guy that pulls all the chicks and kicks ass with the best, and if the tone of the first-person narration is halfway between The Rockford Files and Robert Crais’ Elvis Cole novels, the mood is very much Mickey Spillane, and in terms of action and feats, we are dangerously close to Remo Williams‘ territory.

But Piper manages to pull it, with the simple expedient of making his main character strangely mysterious. Beckett has something to hide, some sort of secret history that colors his background and justifies his exceptional skills without ever explaining anything.
Indeed, we are dragged along the story more by the curiosity of finding out who’s really Beckett than by the actual mystery – that is somewhat easy to patch together.

All in all a solid hard boiled read, with enough stylish violence for those that like that sort of thing, and an entertaining, intriguing main character.


2 Comments

Let’s hope it fails, ’cause we’re True Fans

Of all the movies that have been announced or launched recently, the only one in which I believe I have a proper emotional investment is Dune. I am not a Dune cultist, I have not read all of the books in the series, and I can’t draw you the molecule of the drug Melange like some people I know can, but I always liked Herbert’s novel, and I believe it’s one of the best in the genre.
I did not care much for the Lynch film, I thought the TV series was OK, and I really hope the new movie is as good as promised.

I am also a little worried about what the movie will cause – I’ve seen it happen with other properties. I’ve seen the knuckleheads that started cheering for the “mindless violence, vulgarity and raw sex” in Robert E. Howard after watching Milius’ Conan. I’ve been fending back the dread hordes of the Tolkienoids eager to explain to me a book I had read when they were still in kindergarten. They go hand-in-hand with the guys that will spend half an hour on Youtube to explain Cthulhu and the Lovecraft Mythos to me.

New converts are always insufferable.
No really – look at Sain Paul.
Just sayin’.

Continue reading


Leave a comment

Vampire Hunter D: Bloodlust

Not all fun shows are on Amazon Prime, and in fact last night I spent two hours of fun revisiting Yoshiyaki Kawajiri’s Vampire Hunter D: Bloodlust, an animated feature from 2000, based on the long-running series of Vampire Hunter D novels by Kikuchi Hideyuki.
The movie can be found on Youtube in high-quality, and is well worth taking a look at if you like dark fantasy, horror, and Dying Earth stories.

Because here’s the fun thing – in building his narrative universe, Kikuchi Hideyuki threw in everything: classical vampires and vampire lore, post-apocalyptic fiction, Dying Earth-style science fiction, melodrama and high-octane action (that the trailer above uses to the hilt), Spaghetti Western. The end result is an original product, in which every tried-and-tested element gets twisted and changed, surprising us every step of the way.

The Kawajiri movie captures the setting, also thanks to the character design based on Yoshitaka Amano’s original illustrations for the novel.
The film is beautiful, the world is intriguing, the story not as silly as it might seem.

Continue reading