Karavansara

East of Constantinople, West of Shanghai


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Geishas, real women, and Lovecraft Country

It was weird, in a way, watching the sixth episode of Lovecraft Country, last night. One of the two best episodes in what I still feel like an uneven series, fraught with some “typical” HBO problems, Episode Six is set in Korea during the Korean War, and centers on a local girl in love with American movies, and serving as a nurse in an hospital. I won’t say more not to spoil you the fun.

What made the experience surreal was that I had spent part of the day,so to speak, in Korea – first, re-watching the classic Train to Busan for the next episode of the podcast I co-host with my friend Lucy, and secondly because I’ve been reading a very interesting book that puts everything in a different perspective.

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The Curse of Kwan Yin: Three Strangers (1946)

It’s pretty straightforward, in the end: you pitch me a noir movie featuring Peter Lorre and Sidney Greenstreet, I will drop everything else and watch the hell out of it, and then probably do a post about it.
Which is exactly what happened last night, when I spent one hour and a half with a bowl of dark chocolate ice cream and Jean Negulesco’s 1946 flick, Three Strangers.
And what a bizarre movie it was!

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Ruth St. Denis

e1304c33db9a1336312a4b6d2f846ad0I am not a fan of ballet. I grew up on radio and 45s. I grew up with pop, rock and, a little later, with jazz. I can dig folk and country (of the non-truck-driver sort). My tastes in classical music are still considered “quirky” by those in the know, and I had a hard time coming to terms with opera.
Ballet–no, not yet.
Let’s say I’m working on it.

But I write, and so I do searches for reference images, and I was looking into old photos of Oriental costumes and so I stumbled on Ruth St. Denis. Continue reading