Karavansara

East of Constantinople, West of Shanghai


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Music and Old Ones

I have just had a pitch accepted by a pretty high profile anthology, for some modern day lovecraftian horror. “Pitch accepted” means “hmm, sounds cool, can you write it? We might buy it.”
It’s actually much better than it sounds. So I am doing some research for the story, because one thing I find it intriguing, when writing Lovecraftian stories, is to lean on the science fiction side.

The pitch was an off the cuff sort of thing.
I saw the call, I pitched a story, based… listen this because it’s weird… based on the idea I am going to explore next on my Patreon podcast, Ten Minutes Till the Savages Come.
Because nothing goes to waste hereabouts, and any idea that can be used twice is twice as good.

An idea, in this case, that sits at the intersection of music, psychology and philosophy, and that’s backed by a thick pile of articles – most of them available online – that I am reading.

In the course of my research – that now goes to feed TWO projects – I am also getting the chance to listen to some cool music.
Like this…

Really, this writing business is getting more fun by the hour.


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Burning down the Library of Alexandria

I have just finished the translation/revision/rewrite of my old story The Cursed Hieroglyph, hat I have half an idea of re-titling The Thing in the Library.
It’s been a lot of hard work, but I am quite satisfied with the results – Nennius Britannicus and his boys came out of it bruised and singed but certainly wiser, and the Great Library of Alexandria was burned down once again.
I mentioned this was, historically, quite a common occurrence.

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Seven Lives

I mentioned at the end of august how I was trying to do something in support of a cathouse in Lanzarote – because I like cats and because as a long-time Harry Flashman fan, I love the idea of telling people that I pay to help the ladies working in a cathouse.
Yes, I know, it’s juvenile, so sue me.

Cats with no name, by Robert McGinnis

Anyway, in the intervening weeks I realized that with my finances in shambles there is very little I can do for the cats and the ladies.
What to do?
The only thing I can do, in fact, is write.
And so I started writing.

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Letting someone else read Deathstalker for me

I have always appreciated the work of Simon R. Green – of the many, many books of his that I’ve read so far, there is only one that I found less than entertaining. I discovered him through his Hawk & Fisher books, that kept me company for a long, lonesome summer many years ago, and I took it from there. His Blue Moon novels, his Nightside stories, his Carnacki ghost stories…

I also like what transpires from his interviews and articles: his work ethic, his craft-oriented approach to writing. He’s an entertainer, an author of escapist fiction that does not need to make excuses for what he does admirably well. Probably nobody will have their lives radically turned around by reading Simon R. Green, but maybe we’re not looking for a life altering experience… we’re just looking for good, old-fashioned fun. And really, an author that cites among his major influences Leigh Bracket and Michael Moorcock, Robert E. Howard and Roger Zelazny, Norman Spinrad and Harlan Ellison… of course I want to read his books! It sounds like we went to the same school together!

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The Shanghai Pirate from Mars

My friend Bando Masako, the Japanese horror writer of Inugami and Shikoku fame, once told me that the best way to secure a sector of the market and have commercial success, would be to create your own niche, your own genre.
“Something like Post-Calvino Italian Literary Fantasy,” she said. “In this way, if someone wants to know what Post-Calvino Italian Literary Fantasy is, they’ll have to buy your books. And anyone doing something vaguely similar, will be someone you ‘influenced’.”

It’s sound advice, and I’ve seen it happen, in both the large international market and the smaller, oxygen-starved Italian market.
Things like Grimdark, of course, or New Pulp, have become wildly successful, and EcoPunk sound promising, while New Italian Epic… ehm, we don’t talk about that.
It’s marketing. Noting wrong with that. The oldest profession.
As Gene Wolfe said “I write the genre that the drugstore guy decides when he puts my books in the wireframe holder – sometimes they place me by Asimov, sometimes they place me elsewhere.”

It was of course a time when drugstores still carried paperbacks.

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The hit list

I’ve just completed a new BUSCAFUSCO story, that in a few days I’ll post to my Patrons in the Five Bucks Brigade – just the time needed to translate it in Italian – because my patrons get my stories both in Italian and English. It’s a bit of extra work, but I’m happy to do it for my patrons.
And as I’m at it, I thought I’ll post here a short list of what’s to come, in terms of short stories, for my Patrons in the next months.

First, as I said, in a few days, a 7000-words BUSCAFUSCO story set in Nizza Monferrato in the days before Halloween.
After that, and in no particular order (or, in other words, as the fancy strikes me)

  • a new Aculeo & Amunet sword & sorcery story
  • a new caper of The Corsair
  • a new Tale of the Frontier
  • a new Valerie Trelawney Edwardian ghost story (the character will make her debut in print some time in the next months)
  • the first Helena Saratova (if that’s really her name) solo historical adventure

And this keeps us covered (and me busy) until March 2020.
There will be more, of course, stuff that at the moment is so secret, I can’t tell you or then I’d have to kill you.
AND the Open Outline stuff my Patrons are helping (?) me put together.

And I have to admit, I am quite happy with how things are shaping up.
Going back to my old characters, for readers that I know appreciate them, is like taking a vacation.

And as I said, there’s more to come.
So watch this space for news and, if you feel like, join us on Patreon.
Because it’s good to be my patrons.