Karavansara

East of Constantinople, West of Shanghai


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Relic/The Relic (1995 & 1997)

Often it’s all a matter of timing. I read Douglas Preston and Lincoln Child’s Relic when it came out in 1995, having read some good reviews. I was in the Air Farce at the time, and that probably did not help me enjoy the book, that I read during one dull weekend while holed up in the switchboard bunker, plus a late-night train ride home. That, and the comparison to The X-Files – a series I did not enjoy very much – did not help putting me in the best disposition. I liked the set up, the setting and the premises, but I found the main protagonist Agent Pendergast absolutely insufferable. I came out of the book with very mixed feelings.

Also, it was pretty obvious one of the authors, that had been an employee of the museum in which the novel is set, had an ax to grind with that sort of environment, and while I can appreciate it – I do have my own set of axes to grind with the world of academia and research – and I certainly approve of using fiction to kill the people we hate, the revenge fantasy element in the novel was to me a little too evident.

So, OK, I sort of liked it but I wasn’t crazy about it – to the point that I have a stack of other Preston/Child books here in my emergency box, and I’ve never been desperate enough to try another – despite the excellent reviews the books had from people I respect.

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Leiji Matsumoto has been drawing comics and animated features forever, and it makes sense that when Japanese animation was first distributed in Italy, one of Matsumoto’s works was at the forefront of the anime invasion. Space Pirate Captain Harlock hit my country about six weeks before my 12th birthday, and instantly became my favorite Japanese cartoon. No giant robots stomping over the suburbs of Tokyo, but good old fashioned space opera – and it was just what the doctor ordered for a kid that had spent two years reading Jack Williamson and Edmond Hamilton. I mean, come on… space pirate? Where do I sign up?

Matsumoto’s Northwest Smith
Matsumoto’s cover for Shambleau

Only much later would I find out that Matsumoto had been, about ten years before, the illustrator for both the Northwest Smith stories and the Jirel of Joiry stories by C.L. Moore, when they had first been published in Japan. Impeccable pulp space opera credentials, that Matsumoto put to goo use not only in Harlock, but also in other works, and of course in Space Battleship Yamato, from 1974, a military sf/space opera that was the answer to the prayers of anyone grown up (not much, in fact) with The Legion of Space, and that felt trapped in a world in which there was not enough SF on the telly, nor in the bookstores.

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La Brigade des malĂ©fices

A French take on the X-Files twenty-odd years before the X-Files, I first saw La Brigade des malĂ©fices in the late ’70s, on some low-rent local TV station. There were only six 55-minutes episodes of the series, and as a kid of ten or twelve I found it weird, baffling, and French. But I was thinking about it this last weekend, and I decided to do a little research on my own.

The basic premise of La Brigade des maléfices (more or less The Sorcery Brigade): there is a secret department in the French police system, that takes care of occult and supernatural events. Underfunded and derided by the colleagues, Inspecteur Guillaume Martin Paumier is an eccentric that occupies an attic in the Paris police headquarters. He can rely only on one assistant, Albert.

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Space Rangers (1993)

The first science fiction novel I ever read was Jack Williamson’s The Legion of Space, that my grandmother gave me as a gift on my tenth birthday, and that I probably read fifteen times in the course of the following summer. This to explain that I have a soft spot for old-fashioned space opera of the pulpy kind, and I am not ashamed of this fact: Jack Williamson, Edmond Hamilton, Leigh Brackett and C.L. Moore are still very high in my personal list of favorites, and if you can give me mysterious planets, strange aliens and some kind of space adventurer, I’m fine.

Which leads me to Space Rangers, a very short lived TV series from 1993, that I found by chance – you find the six episodes on Youtube. The quality is not the best, but who knows, you might want to check it out.

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Invoking the Emperor of Dreams

This is going to be an interesting weekend: I have a story I need to complete by Monday, and it’s turning into a headache. Its now 4 am in the morning as I write this (a very Lovecraftian state of affairs, don’t you think?) and I’ve started writing at 8 pm, and not a single word I wrote in these eight hours I did not cancel. repeatedly. And gladly so, because they sucked.

I have the outline, the plot points mapped, the characters and their names and traits and back story, I know what will happen, and how. The twist is there, and the drama and the irony. Everything’s perfect. What sucks, and sucks big time, is the language.

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