Karavansara

East of Constantinople, West of Shanghai


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Down the Nile on a steamboat

So it went like this. this morning, about one hour after posting the previous post in which I said I’m all out of time, overworked and juggling a lot of projects at the same time, I went and pitched a story to a magazine – and in half an hour I got a reply and a go ahead.
It’s not yet a sale, but it’s a new project with very good legs on which to stand.

Why did I do it if I’m so overworked?
Well, because it was a perfect opportunity to write a story I’ve been sitting on for six months now. Because I know and respect the editors. Because I live with this constant fear that the money will run out, and so I take as many paid gigs as I can get.

But let’s admit it – a five-lines pitch being approved like that is good for the ego. I am told that bragging about such things is in poor taste, but what the heck, it looks like I’m good after all.

So here now I am taking a break from my writing for a cup of tea, and meanwhile doing some lightweight research for my new project… and why not share?
Enjoy!


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Like an old girlfriend

This is a complicated story. It starts at the turn of the last century, as a 20-years younger myself is trying to create a character for a series of stories. I had just read Bram Stoker’s The Jewel of Seven Stars, hot on the heels of Kim Newman’s Seven Stars, and I wanted to do something similar.
In case you missed it, Stoker’s story (that you can find here both in the 1903 and in the 1912 versions) has been filmed a number of times, and many fans fondly remember the very loose Hammer Films version, known as Blood from the Mummy’s Tomb (because Hammer knew how to sell movies), and featuring the delectable Valerie Leon.

There’s two things I found interesting in Stoker’s novel… (beware, here be SPOILERS!)

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