My first exposition to Bram Stoker’s The Jewel of Seven Stars was through the Hammer classic 1971 movie, Blood from the Mummy’s Tomb.
Yes, the one featuring Valerie Leon.
I can’t remember where I first saw the movie – I was probably in the last year of middle school at the time, or on my first year of high school, and anything with the Hammer logo was a cherished treasure for me and my schoolmates.
I later read a cheap paperback translation, and found it somewhat boring.
I appreciated a lot more what Kim Newman did with the central themes of the novel, in his Seven Stars, which is contained in Stephen Jones excellent Dark Detectives, that I read at least a decade later.
Admittedly, I was never a Stoker fan, being more in the Conan Doyle and Rider Haggard field.
For the uninitiated,1 in what is considered to be the first modern “curse of the mummy” story, young Margaret Trelawny (daughter of a famous Egyptologist) is possibly the reincarnation of ancient (and fictitious) Queen Tera, whose astral body’s been preserved in as a mummified cat.
But it’s more complicated than that. Continue reading