This is a complicated story. It starts at the turn of the last century, as a 20-years younger myself is trying to create a character for a series of stories. I had just read Bram Stoker’s The Jewel of Seven Stars, hot on the heels of Kim Newman’s Seven Stars, and I wanted to do something similar. In case you missed it, Stoker’s story (that you can find here both in the 1903 and in the 1912 versions) has been filmed a number of times, and many fans fondly remember the very loose Hammer Films version, known as Blood from the Mummy’s Tomb (because Hammer knew how to sell movies), and featuring the delectable Valerie Leon.
There’s two things I found interesting in Stoker’s novel… (beware, here be SPOILERS!)
Last year I was paid 50 bucks by an Italian magazine to review books not available on the Italian market and related to the Horror genre1. I did it, and the reviews were so successful that my 50 bucks gig was not renewed for the second year – it was not worth the investment.
Now, my contract having been dead for over six months, I thought I’ll reprise here some of those reviews, expanding and revising the text.
If you like them, you might consider buying me a coffee or supporting me on Patreon. Unless you did already, in which case, thank you.
Should there be any interest, I will go on with new reviews using the same format.
Let me know what you think in the comments, please.
For starters, here’s a bit about a very interesting non fiction book, called Egyptomania goes to the Movies . Continue reading →
My first exposition to Bram Stoker’s The Jewel of Seven Stars was through the Hammer classic 1971 movie, Blood from the Mummy’s Tomb.
Yes, the one featuring Valerie Leon.
I can’t remember where I first saw the movie – I was probably in the last year of middle school at the time, or on my first year of high school, and anything with the Hammer logo was a cherished treasure for me and my schoolmates.
I later read a cheap paperback translation, and found it somewhat boring.
I appreciated a lot more what Kim Newman did with the central themes of the novel, in his Seven Stars, which is contained in Stephen Jones excellent Dark Detectives, that I read at least a decade later.
Admittedly, I was never a Stoker fan, being more in the Conan Doyle and Rider Haggard field.
For the uninitiated,1 in what is considered to be the first modern “curse of the mummy” story, young Margaret Trelawny (daughter of a famous Egyptologist) is possibly the reincarnation of ancient (and fictitious) Queen Tera, whose astral body’s been preserved in as a mummified cat.
But it’s more complicated than that. Continue reading →
Something has been nagging at the back of my mind since I posted my non-review of The Mummy, and finally this afternoon – possibly inspired by the Egyptian-desert-grade heat here where I live – I finally got it.
Because there was something – the new mummy movie featuring Tom Cruise is actually closer to a “reboot” of the 1971 Hammer classic Blood from the Mummy’s Tomb than than any Universal Mummy film.
We get the lot: the cursed, evil Egyptian queen, the resurrection/reincarnation bit, and the world shattering plot.
Nice and smooth. Continue reading →