Editor is a word that scares me, when it is applied to myself.
And yet…
I am taking care of a new anthology, to be published by Horrified Press, as part of their Silent Fray line of physical horror books.
My project is called Ladies in Red, and it goes like this… Continue reading →
Today I’m putting myself to the test, both for fun and profit.
The idea is to write a 3000+ words horror story on spec, aiming at an anthology whose deadline looms closer.
The check is enough to put food on my table for a week, but apart from that I feel like flexing my writing muscles, and placing another story with my name on it out there.
So I’ll write, revise and post it today.
Right now I’m about 1500 words in it, and it’s going pretty smooth – despite a blink in the electric system that caused my computer to flip this morning, and so I lost 500 words.
But the rewrite is actually better than the lost original, so there.
And I’ve another story in the can.
It’s called Empty Places in the Dark, and it’s a (maybe not so) supernatural horror story for a forthcoming anthology (contract signed, now it all depends on the editor).
Six-thousand odd words, nice and smooth.
The story – that underwent some massive rewrites in the last two days – is set in my hometown of Turin, and features a great female lead (if I do say so myself).
Also, the whole set-up is so intriguing (ditto), that I’d really love to explore it further with more stories, or maybe developing the short into a full-fledged novel.
Who knows.
Anyway, another story finished.
I’m getting good at this sort of stuff.
On with the next (but maybe not today).
And so it is out. Extraordinary Renditions, the latest collection of stories set in the Delta Green lovecraftian conspiracy universe, is available through RPGNow1, and various other platforms.
The volume was edited by Shane Ivey with Adam Scott Glancy, and it includes the following tales, covering the story of Delta Green through the 20th century …
“The Color of Dust” by Laurel Halbany.
“PAPERCLIP” by Kenneth Hite.
“A Spider With Barbed-Wire Legs” by Davide Mana.
“Le Pain Maudit” by Jeff C. Carter.
“Cracks in the Door” by Jason Mical.
“Ganzfeld Gate” by Cody Goodfellow.
“Utopia” by David Farnell.
“The Perplexing Demise of Stooge Wilson” by David J. Fielding.
“Dark” by Daniel Harms.
“Morning in America” by James Lowder.
“Boxes Inside Boxes” and “The Mirror Maze” by Dennis Detwiller.
“A Question of Memory” by Greg Stolze.
“Pluperfect” by Ray Winninger.
“Friendly Advice” by Gareth Ryder-Hanrahan.
“Passing the Torch” by Adam Scott Glancy.
“The Lucky Ones” by John Scott Tynes.
“Syndemic” and an introduction by Shane Ivey.
Extraordinary Renditions was developed as part of a very successful Kickstarter campaign – and I’m extraordinarily proud of being part of this project.
I love the Delta Green setting, and being one of the contributing authors feels like going home.
I made my first sale in the gaming business with a contribution to Delta Green: Coutdown.
I started writing stories in English on the Delta Green Mailing List.
The line up of this collection features a group of excellent writers, some of them good old friends, and some personal icons of mine.
So, yes, I’m extremely happy – and hope you’ll be happy to read this book, too.
It’s a killer.
I just learned of the passing of British author Tanith Lee.
This was shattering news – I an a great fan of her writings, and The Birthgrave was one of the first books I read in English.
Some of her novels – Don’t Bite the Sun/Drinking Sapphire Wine, Volkhavaar, the Paradys sequence… but I could mention many others – stand very high in my favorites lists, and her style was always a source of wonder and frustration – because I’ll never write like that.
Lee was a master storyteller, often breaking the boundaries between genres, and defied categorization.
Her catalog is full of extraordinary stories, beautifully told.
This is really a chunk of my life that goes away.
I am very sad.
Fact is, reality always takes you by surprise… that’s why we need fantasy. To be prepared.
(no, not the band that did Apache)
As I mentioned a while back, in this weekend – which marks the birthday of Peter Cushing, Christopher Lee and Vincent Price – the idea is to do something to stress and underscore the relevance and dignity of imaginative fction.
Being chiefly a writer, I’ll write.
I call it Imaginative Fiction (using the old catch-all tag coined by Lyon Sprague de Camp).
You can call it horror, fantasy, weird, science fiction, pulp adventure…
You can call it faery tale, myth, folklore…
It is not kid’s stuff.
Oh, granted, kids love it – because kids are curious, and normally don’t give a damn about being perceived as serious, mature or respectable.
They want ideas – they hunger for ideas.
And if you are looking for ideas, fantasy fiction, imaginative tales, are the best spot in which to dig…
With this I do not mean to diss “serious fiction” – as usual my problem is not with mainstream or serious fiction, is with the fools that use it as a token of tribal belonging.
I read <put the author’s name in here>, therefore I’m acceptable.
That’s how “serious books” get sold but never read.
Now, good imaginative fiction is not normally read to fit in.
In school you are mocked and overlooked.
They call you a geek.
Desirable members of the opposite sex won’t date you.
Teachers appreciate the fact that you’re a reader but might point out to your parents that “the kid has too much imagination.”
As if it were a problem – real, serious, dangerous troublemakers are those without imagination, because they normally can think of just one solution to any problem.
And even if you, being a geek, finally find a suitable community – comic book readers, fantasy fans, roleplayers – that’s supposed to be a phase you’ll leave behind when you”grow up” and start thinking about “important things”.
Important thins seem to involve being unhappy because you want them, and then being unhappy because once you get them they are not so hot after all.
Weird.
But for a fact, imaginative fiction makes us better.
In its deviations from reality, imaginative fiction questions concepts like those “important things”.
Truly, we read these stories, watch these movies, not to escape reality, but to look at it closer from a new, fresh perspective.
We need these narratives not to escape reality, but to fight the need to escape reality.
So, during this weekend I’ll celebrate watching an old movie with dinosaurs in it, and then I’ll read some weird book full of monsters.
Not because it’s cheap escapism – but because there’s a point in surrealism, there’s a strong moral drive in adventure stories, because contemplating the strange it’s easier to understand the mundane, later.
So let’s raise a glass to our three patron saints – men of culture and intellect, that never despided imaginative fiction, and contributed making it popular, and acceptable.
Go read a book.
Go watch some movie.
Dust off the old comics collection.
And teach the younger generations that’s where ideas come from.
Some movies remain with us for a long time.
I caught the trailer for Horror Express in 1972, and later saw the movie in some seaside drive-in.
I was around 12 or thereabouts.
Horror Express.
Featuring Peter Cushing, Christopher Lee and Telly Savalas.
A Spanish movie set on the Trans-Siberian.
And yet, here I am, thirtyfive years later, a paleontologist writing a blog about my obsession for the East and the Silk Road and pulp writing and all the rest, and all of a sudden I remember… Continue reading →