Karavansara

East of Constantinople, West of Shanghai


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Halloween in an old village

It’s the 31st of October, early afternoon. I’ve just put the chicken and potatoes in the slow cooker, and acknowledged the fact that a story I had submitted in June was rejected. It’s OK. This month I submitted 13 stories, more than reaching my quota.
The sky is battle-cruiser grey, and there is a faint mist that will probably get thicker as the day progresses.

I am taking a couple of days off. There’s a story I should finish but I’ll never make it in time for the deadline. Pity.
The last few weeks have been complicated, and now that the worst part is over, I can slow down a bit and have some fun.

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Fear of the Unknown

Yes, I know, this is not an overly original title, and we all have heard or read that classic H.P. Lovecraft quote, from his Supernatural Horror in Literature. They even made a documentary film with that title.
And in case you missed it, the quote is…

“The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown”

H.P. Lovecraft

But I have another quote for you, and it’s as follow…

“I don’t see why I should read this book you mention. I read [Asimov/Heinlein/Tolkien/Howard/King/Lovecraft] back in 19**, and I don’t need to read anything else in the genre, because nothing’s better than that.”

A lot of SF/Fantasy/Horror fans I know

This came up today when I was talking with an old friend, and we wondered why people that should be all for the future, and discovery, adventure and running risks, turns out to be so averse to trying something new.

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Just kids having fun

You really can’t take a moment off.
Back online, and people are bickering on facebook.
Big news, uh?
Only in this case is something that touches upon my job (for what it is), my livelihood (ditto), and something I like very much, and therefore I consider “my own”.

Now, I have mentioned in the past how Italian politics have been trying to polarize popular culture since at least the fifties – from music mags labelling prog rock as right wing and singer-songwriters as left wing, to the old classic SF is left, fantasy is right, to the opening of “Hobbit Camps” where like-minded individuals could debate the merits of J.R.R. Tolkien, Julius Evola and Mussolini.
It would be silly, and ridiculous, were it not that it creeps into the general perception, it becomes a filter, and you are labelled as a jackbooted right-winger because you listen to Jethro Tull, or a crazed communist because you read Arthur C. Clarke.
The first reaction is laughing, then you realize these people are skewing the general public’s perception of reality. That is always bad.

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The Shanghai Pirate from Mars

My friend Bando Masako, the Japanese horror writer of Inugami and Shikoku fame, once told me that the best way to secure a sector of the market and have commercial success, would be to create your own niche, your own genre.
“Something like Post-Calvino Italian Literary Fantasy,” she said. “In this way, if someone wants to know what Post-Calvino Italian Literary Fantasy is, they’ll have to buy your books. And anyone doing something vaguely similar, will be someone you ‘influenced’.”

It’s sound advice, and I’ve seen it happen, in both the large international market and the smaller, oxygen-starved Italian market.
Things like Grimdark, of course, or New Pulp, have become wildly successful, and EcoPunk sound promising, while New Italian Epic… ehm, we don’t talk about that.
It’s marketing. Noting wrong with that. The oldest profession.
As Gene Wolfe said “I write the genre that the drugstore guy decides when he puts my books in the wireframe holder – sometimes they place me by Asimov, sometimes they place me elsewhere.”

It was of course a time when drugstores still carried paperbacks.

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