Karavansara

East of Constantinople, West of Shanghai


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Cats

No, not the old-musical-now-a-major-motion-picture-with-a-creepy-trailer Cats. I really mean the, you know, small killing machines that have domesticated humankind since the neolithic.
Cats, Felis domestica.

Yesterday, talking with a friend, I learned about an organization that works with cats, and that’s called Freddy’s Cathouse. I’m not swimming in gold, but I decided I’ll support them, because it’s a worthy cause, and comes with the recommendation of someone I trust. Also, I love the idea of being able to say I support a cathouse: Harry Flashman would be SO proud of me!
I’m also spreading the word, as you see – and I’ll try and see if there’s a badge I can place here in the sidebar for you to ignore.
I like cats.

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Still crazy after all these years

If the last 24 hours are any indication, this is going to be a wild weekend, but not in the naughty/risque way that might be fun.

In the last 24 hours I have

  • Spent one evening eating pizza with a friend who happens to be a good writer, and we decided that considering the current state of fantasy in our country, we’ll pitch our next books to Harlequin.
  • Spent a whole night and the best part of a day editing a book to patch a mistake I made, in order to still be able to deliver it in time for the deadline…
  • … which led to the cancellation of my planned microadventure for tomorrow.
  • Had three beautiful ladies on my Facebook profile discussing in enthusiastic terms the manly charms of… Matthew McConaughey…
  • … Which led to the decision of re-watching Sahara as a movie for the evening.
  • Decided to start supporting the best way I can a cat shelter (more news in the future).
  • Cashed in a very positive review of House of the Gods.
  • Started working on my next Patreon project.
  • Heard Ray Charles sing Paul Simon’s Still Crazy After All These Years, that fits the current situation to a T.

And that’s it.
But hey, it’s only Friday night.


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The last days of August

Back when I was in school, the last days of August were days of frantic work, doing the home-works that had been waiting for three months in my copybooks. Now it’s thirty-odd years since I last had any home-works to do, and yet these are frantic days nonetheless.
I have to close a big translation I need to deliver by the 31st – I’ll probably deliver it tomorrow or the day after that.
Then there’s another important translation to deliver on the first week of September.
I am working on the two Contubernium stories I have mentioned yesterday, and I have two other short stories in the works – one horror, one a straight detective mystery, possibly the start of a new series, with an eye on a very specific market.
And I have a novella that’s long overdue, and that I’ll start working on next Sunday night. The plan is to write 3000 words each night. This way, I’ll have it ready in ten days. Ready, that is, for a rewrite. I plan on delivering it by the 15th of September.

I have also other things brewing – like adding an audio channel to my Patron page, and setting up a proper drive to attract more Patrons.
But these are things that will happen in the second half of next month.

And there’s the projects that are awaiting confirmation – but those are still in the limbo from which deadlines come screeching bloody murder at the end of the month.
I think I hear them calling right now, and I better go.


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There’s a dead body in the library…

“All right, gentlemen, I need three volunteers.”
A chorus of groans and curses greeted centurion Nennius Britannicus as he entered the barracks of the contubernium. The sun had touched the horizon to the west, and the men were off duty. In one corner, hunched over a clay bowl, Brennius and Ranulphus were playing a game of dice. Festus Cimma was sitting on his bunk, cleaning his short sword, and on the next bed Scorsonides was reading one of his books. There was the smell of cooking in the air, and Troglodites was setting the table for dinner.
Dunius Clericus, the decanus of the squad and Nennius’ second in command frowned. “Trouble?” he asked, standing and smoothing his tunic. Then he turned to the room. “You’ve heard the boss,” he barked. “Three men, move it!”
More groans. Cimma slipped his gladius in the scabbard and stood, buckling it to his waist.
“A guy turned up dead in the Library stacks,” Britannicus said sourly.
Scorsonides put down his book. “You mean in the Great Library—?” he said eagerly.
Nennius Britannicus grinned. “Get your gear on, kid.”
In the corner, Brennius shook his head and dropped his dice with a sigh. “We’ll finish this when I am back.”

There are currently two Contubernium stories in the works, one being written from the bottom up and another being translated in English after laying abandoned and lonely in a folder on my hard disk because it was better that way than wasting it on a cul-de-sac anthology.
Both stories have a prospect place to go, hoping the respective editors of the two projects I’d like to contribute to will like them.
The two stories (8000 words and 5000 words respectively) are set along the Nile and in Alexandria, and are called Crocodile Island and The Cursed Hieroglyph.

This is going to be a fun week, writing-wise.


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The Earphones Diaries are back

I am pleased to announce that The Earphones Diaries, my daily unrequited and mostly unwanted reviews of the records I am listening to, is back online after a two-weeks hiatus due to somebody signalling my Instagram account.
You can find The Earphones Diaries here, or down at the bottom of the sidebar.
It’s music.
Maybe music you don’t like, maybe music you don’t know, maybe music you’d like to check out.



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Drabble and Double Drabble!

Orson Welles said that

the absence of constraints is the enemy of art

Orson Welles

and I cannot deny he was right. He knew, after all, a thing or two about art and constraints, and he was Orson frelling Welles!

I was reminded of Welles quote this morning, as I got a call for a horror anthology looking for Drabbles and Double Drabbles.
A Drabble is a thing Monthy Python invented for a lark: a novel in 100 words – not one less, no one more. A Double Drabble is, as you can imagine, a novel in 200 words.
And by novel I mean it has to have character development, dialogue, stuff happening, like a proper 500-pages blockbuster.

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Killer Crisis – an idea for a story I’ll inflict on my Patrons

When I was young and foolish, I used to write short stories based on a picture, a photograph or a song, as a form of exercise. I would hammer the story out on my mother’s Olivetti typewriter, and see what I was able to put together. I had read somewhere that pulp writers in the days of the magazines often wrote stories to the cover (typical example, Fritz Leiber’s Schylla’s Daughter), and I thought it would help me develop my writer skills.

The first story I actually finished was based on an illustration by Boris Vallejo (hey, it was the 80s! I was 16! Give me some slack!)
This one, to be precise…

Sometimes I still do, in a way: I use photo references and a soundtrack for my stories. But a story directly inspired by a painting or a song? That’s a thing I have not done for a long time.
But then…

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