Karavansara

East of Constantinople, West of Shanghai


Leave a comment

Mind over matter: Detective L (2019)

A very Holmes-esque mystery series set in 1930s Shanghai?
You know I’ve got to see it.
And I did.

Detective L is a 24-episodes Chinese drama series set in 1932 Shanghai, and distributed on the streaming platform Tencent Video. Newcomer Qin Xiao Man, a woman graduate from a provincial police academy, comes to the big city to serve in the local constabulary, only to be swiftly paired off with Luo Fei, a detective that sometimes acts as consultant for the police.
A Watson-Holmes dynamic ensues, with an extra of romantic tension, as mysteries are solved and a shadowy character, the Moriarty-like “Captain” emerges to provide an overarching metaplot.

The series is a rather classic Chinese serial product, with good actors, great costumes and a somewhat limited budget locations-wise. The 1930s Shanghai is brought to screen via a mix of back lot sets, actual Shanghai villas and mansions and a lot of CGI.
But it’s OK.
Granted, this Shanghai is strangely devoid of Westerners of any kind, and a few glaring errors, prop-wise, caused a laugh-out-loud moment or two (one word: the gramophone turntable), but really, this is light entertainment, not a documentary. So it’s OK.
Even the quirky anachronistic soundtrack really works.

The leads are charming, and the idea of developing a mystery over an arc of three episodes allows a modicum of welcome development. These are classic locked room mysteries, more puzzles than in-depth investigations of the human soul, and it’s fine like that.
Even the comedy manages to be classy – not a given, with Chinese series and Western tastes.

If you are interested, you can find the whole series on Youtube, in mandarin but with English subtitles.
It’s a nice way to spend half an hour before dinner.


4 Comments

Lunch break with the ninja

Back in the early ’90s, I was part of a growing number of fans of Japanese animation in my country. In Italy we had been hit by a wave of anime since the second half of the ’70s, and then a decade later the floodgates opened with OAVs and movies. fanzines were printed, clubs were formed.
I said “in the early ’90s”, but it was actually in 1993 that I dropped out of that community, as I was starting to see things I did not like. What had been a passion, born of an interest for wild and wonderful stories and great art, was turning into a playing field for little Hitlers, people that wanted to dictate what people should or should not see – “why are you reading Marvel comics? You are supposed to be an Otaku!” – and a few individuals were starting to make an awful lot of money fleecing the fans.

I know I turned and walked away in 1993, because that was the year Ninja Scroll hit the screens.
And today at lunch break I watched it again for the first time in 28 years.

Continue reading


3 Comments

Kingdom of Heaven, the director’s cut (2005)

There’s been a lot of talk about a director’s cut of a superhero film, recently. Everybody’s going on about it. The problem is, I am rarely interested in superhero movies – let’s say I still love the old Christopher Reeve/Margot Kidder Superman movies (well, the first two, at least) and after that … yeah, OK, Michael Keaton as Batman, maybe a few others. But I am not a big superhero fan to start with, and so I am not at all invested in this latest release.
But there are other movies that have come out in a Director’s Cut, and that I would be interested in catching.
So, why not today?

And when one talks about director’s cuts, Ridley Scott must be the world championship holder in the category. How many times did he recut Blade Runner?
And in 2005, his Crusader epic Kingdom of Heaven was distributed with 45 minutes cut after some test audiences groaned, and later re-released as a Director’s Cut.
I saw the theatrical release, and found it boring and unsatisfactory. But up until today, I had missed the Director’s Cut.
So today I watched it.

Continue reading


Leave a comment

Learn about the films you like, and those are film noir

Today I was talking to a friend about learning the basics of film language in order to write reviews that do not suck. She’s a very serious, thorough person, and so she was looking for a basic primer on film language.
This made me think about a long time ago, the late ’80s, when I started reading books about movies, and those books were about film noir.

Continue reading