Karavansara

East of Constantinople, West of Shanghai


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The (Japanese) Black Cat

Let’s get back to our usual topics – strange stories and the East and adventure and flashing swords.
I’ve been spending a lot of time, this weekend, doing some background research for my current “mainstream” project – basically listening to music and watching documentaries about Japan, to catch a sense of place, because my story will have a Japanese side.
As it usually happens, research is changing and stretching the original concepts, and writing will be a fine game of balancing the original plot and the new elements.
It’s going to be fun, hopefully.

But all this also caused me to think back at the strange connection there is between my generation, here in Italy, and Japan. We were the ones that were in their early teens when the big anime invasion began (with stuff like captain Harlock and Mazinger Z), but I always thought there’s something deeper.
Samurai movies, and old documentaries.
For instance – I was in primary school when I caught on the telly Kaneto Shindo’s Kuroneko – the movie had been presented a few years before at the Cannes Movie Festival before it was cancelled because of the 1968 riots, and was being used to test the video walls in Turin during the Technology Fair.

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Basically, if you lived in Turin in the early 1970s, during the Fair you caught extra movies in the morning, movies that were broadcast locally. Continue reading


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Very short stories

Short stories are tough.
There is this sort of… not really a debate, more like a feud, between those that Novels are proper literature, short stories are for losers and those that short stories are the true distillation of talent, any hack can write a 1000-pages trilogy given enough time and coffee.
Both are wrong, of course, and both are right, because the fact is, it’s not a binary system – there’s a whole lot of shades and issues there.

I write mostly short stories and novellas.
I feel comfortable with the word-count, and they make for reasonably fast writing, meaning I can sell them quick and keep the creditors at bay.
Sometimes I write longer stuff.
All formats have their pros and cons.
My favorite word-count is probably within the 8.000-to-12.000 words range. Shorter, I usually feel cramped, longer, I usually need a lot of time and planning and things get somewhat rambling. Continue reading


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Insomnia Movies: The Stone Tape

Yesterday my friend Lucy did a great post about Quatermass and the Pit (the article is in Italian, but you can use Google Translate) so I decided I’d like to watch it again. To me Quatermass and the Pit in color is always a strange experience because I first saw it on the telly, when I was a kid, and it was in black and white and I still remember it in black and white.

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But anyway, I was not able to find my copy, that lies buried somewhere. So, as I was going through a bout of insomnia and I was in a Quatermass kind of mood, I picked up another thing by Quatermass creator Nigel Kneale, and I re-watched The Stone Tape. And then I thought I’d do a post about it.
Here we go. Continue reading


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Karavansara Free Library: El Borak

773049I’ve been discussing the El Borak stories with some friends recently.
For the uninitiated, El Borak, whose real name is Francis Xavier Gordon, is a character that appeared in some of the last stories written by Robert E. Howard. An adventurer in a similar vein to Talbot Mundy’s JimGrim, Gordon’s always been one of my favorite characters, ever since I discovered an old paperback with a Chris Achilleos cover on a shelf in a bookstore, about thirty-five years ago.

The El Borak stories are tight adventure yarns, set along the Northwestern Frontier and in parts East.
Not the most popular character in Howard’s production, El Borak was a mature effort on the part of the author, a character that might have allowed Howard to grow in different directions.
But these are what-might-have-beens.

Six of the El Borak stories, including Lost Valley of Iskander, that really made an impression on sixteen-years-old me, are available online, having fallen in the public domain.
Here are the links to the versions on the Wikisource servers.
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The Daughter of Erlik Khan (First published in Top-Notch, December 1934)
Hawk of the Hills (First appeared in Top-Notch, June 1935)
Blood of the Gods (First published in Top-Notch, July 1935)
The Country of the Knife (First published in Complete Stories, August 1936. Alternate title: Sons of the Hawk)
Son of the White Wolf (First published in Thrilling Adventures, December 1936)
The Lost Valley of Iskander (Alternate title: Swords of the Hills)