Karavansara

East of Constantinople, West of Shanghai


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Without a Blog: the Earphones Diaries

And so I’ve gone and invented me another thing, a game of sorts to keep my brain going and get away from writing and reading 24/7.
It will be called The Earphone Diaries, and it will live only on my social networks: my Facebook profile, my Instagram page, my Pinterest boards and my Twitter. Much as I love blogging, there will be no blog supporting this guerrilla project.

The Earphones Diaries will be a series of daily post, presenting a record I am currently listening to. I’m going at this without a plan, the course is once again uncharted: no genre tags or other hang-ups, just the music that’s currently playing in my earphones, presented in short, less-than-2000 characters posts.
Just for the fun of it.

The first post will go online in a few hours.


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Turntable: In Phil Marlowe’s Shoes

The first post in the Turntable series was so consistently ignored, one would be tempted to just close the lid of the record player and forget about the whole thing, but I actually like the idea of talking, here on my blog, of a different form of storytelling… and then I prepared a banner for the series!
I can’t use the banner just once, right?
I might as well do another post and see if something changes…

The old Ricordi music store in Via Roma/Piazza CLN, Turin, was on three floors – at ground floor they had pop and rock records, downstairs in the basement they had classic and opera, and upstairs they kept jazz and blues. If you happened to visit the store on a Saturday afternoon, you’d get crowded in the pop and rock section, but in the classic and jazz departments there would be precious little people, and air conditioning.

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Death and Ghosts in Czarist Russia: Detective Anna

Did you know you can watch Russian TV shows, subtitled in English, on Youtube? I did not, but yesterday a contact suggested to me a Russian series from 2016, called Detective Anna (or, alternatively, Anna the detective) , and by googling I found it all on Youtube, subtitled, for free.
So I watched the first two episodes, and it was quite fun.

As usual during periods of intensive writing I like to watch a TV series or a movie in the evenings (you may have noticed a lot of posts about serials, recently, on Karavansara), and it looks like Anna Mironova will keep me company in the next few years.

So, what are we talking about…

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One evening with Epifania Ognisanti di Parerga

Sometimes we need to get away from it all. From the writing and from genre fiction and everything else.
The fans, the other writers, the social networks.
Just get away from it all.
Maybe it’s the heat and the humidity, or the tiredness of too many months spent working full tilt, or the fact that I always get melancholic on the weekend.
Anyway, yesterday I went looking for something different, and found (again) Epifania Ognisanti di Perega, the main character in The Millionairess, a comedy written in 1936 by George Bernard Shaw that was, at the time 80 years old.

The plot in a nutshell, courtesy of the usual IMDB:

Epifania is the richest woman in England. She’s also strong-willed, highly intelligent, fiercely determined and an expert at Judo, which makes her hard to live with. She’s also married, but her husband is now in love with another woman. She’s also seeing another man socially, but he seems to be more interested in his food than her. Will or can this poor little rich girl ever find true happiness? A chance meeting with an Egyptian doctor may prove interesting…

So yes, it is basically a romantic comedy, featuring a formidable central character. The story was not new to me. There is an adaptation, filmed in 1960, starring Sophia Loren in the title role and Peter Sellers as the Egyptian Doctor.

I saw it many years ago, as part of a cycle of movies starring Sellers, and found it insufferable. I found it sad and downbeat, and particularly hated the main character portrayed by Loren.

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Blood & Treasure or, I am too old for this

Seven minutes into the pilot of Blood & Treasure, the new TV series by CBS, I stopped laughing and decided that life’s too short to waste time with such irritatingly cliched writing.
And it’s a pity, really, because there’s obviously money backing the series, that was shot on location in a number of places, including my hometown of Turin, but the writing is so abysmal, I really couldn’t make it.
I wanted to, because at one point I thought it might be fun to do a post on Karavansara. I went back and restarted it.
I stopped watching 11 minutes in.

Let’s see what we are talking about…

An antiquities expert teams up with an art thief to catch a terrorist who funds his attacks using stolen artifacts.

Oh, yes, fair warning: here be SPOILERS.
True, I’m gonna spoil only the first ten minutes of the pilot, and a lot of the things you already saw in the trailer, but…

S P O I L E R S!!

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Palace intrigue and zombies

I am not particularly fond of the zombie craze of these last few years. I watched the classics, I do enjoy the occasional recent movie, I even wrote a story set in a post-apocalyptic sorta-zombie story, a long time ago, as part of a shared universe a friend created, but I find it damn hard to do something new and cool and meaningful with zombies.
On the other hand, when I find someone that’s actually able to do something new and cool and meaningful, I like it a lot.

Case in point: Kingdom, a South Korean TV/Netflix TV series that pits its main characters against a horde of zombies in 15th century Korea.
And weirdly enough, it’s based on a true story.

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