Karavansara

East of Constantinople, West of Shanghai


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An odd plan

I’ve been putting some order in my library.
I was tired of book piling up on chair and on the floor, so I bought a new Billy bookshelf from IKEA, and started filling it up.

And as I was moving books around, I dug out my copy of Kim Newman’s Video Dungeon, that collects some of the reviews Kim Newman wrote for the video section of Empire Magazine.
And as I browsed it, I realized it includes a (brief, sadly) chapter called High Adventure that features – you guessed it – adventure movies.

And I thought, wouldn’t it be nice to start again my Tits & Sand and Indiana Clones/Raiders of the Lost Franchise posts, using this list to dig up some forgotten movies?
Indeed, I already covered a few in the list (the 1925 version of She, for instance), but many others remain to explore. I might even supplement the list by adding titles from the chapters about Criptids and others.Now all I have to do is find the actual films in streaming, and then I’ll begin.
Watch this space.


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Tits & Sand: The Adventures of Hajji Baba (1954)

It’s been a while since I last reviewed a Tits & Sand movie – to use the label coined by Maureen O’Hara. These 1001 Nights-style movies were a staple of my childhood, and I thought I had seen them all, repeatedly. And yet, I’ve just found a movie I had missed – which is quite strange.

The film is called The Adventures of Hajji Baba, and it was directed in 1954 by Don Weiss, a director with a long TV experience, whose best known films are probably The Affairs of Dobie Gills and the beach party classic The Ghost in the Invisible Bikini, with Boris Karlof.
The Adventures of Hajji Baba features John Derek, an actor I always found insufferable, and this might explain why I never watched this specific film. Opposite Derek – who portrays the titular Persian barber – is Elaine Stewart, in the role of bratty, spoiled princess Fawzia of Ispharan.

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Maureen O’Hara’s Birthday

Yeah, I know, I said I’d take the weekend off and not post, but then, stuff keeps happening.
And today it’s the birthday of beautiful, spirited and talented Maureen O’Hara, Miss Technicolor herself, and one of the part-time muses of Karavansara as she is the one that coined the term Tits & Sand.

So tonight I think I’ll watch Sinbad the Sailor one more time.


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Morocco (1930)

Today is Joseph von Sternberg’s birthday, so it feels right that I spent one hour and a half last night rewatching his Morocco, an exotic melodrama featuring Marlene Dietrich, Gary Cooper and Adolphe Menjou.
The film was shot in 1930 and caused quite a stir, for a number of reasons.
While not my favorite Dietrich/von Sternberg collaboration, it’s still worth a look.
And despite the desert location, this is probably not a Tits & Sand movie, but… who knows?

The plot: cynical but maybe not so cynical cabaret entertainer falls in love with cheeky American legionnaire and refuses the advances of a more settled, wealthy gentleman. Passions flare, tragedy ensues.

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Tits & Sand: Captain Sindbad, 1963

OK, let me get this straight – we are about to talk about a Tits & Sand movie shot in Munich, Germany, featuring the guy that played Zorro as Sinbad.
I am sure that it can get weirder than this, but still…

There are three men before whom a woman need have no shame: her husband, her doctor and her magician.

Capnsindbads

Captain Sindbad, produced in 1963 by the King Brothers, is a strange affair, an odd assortment of mismatched pieces: we get Guy Williams, that had played Zorro in a Disney-produced series, Pedro Armendariz, a class act that has a lot of fun as the bad guy El Kerim, and German actress and singer Heidi Bruhl, that in the same year represented Germany in the Eurovision Song Contest. TV mainstay Abraham Sofaer rounds up the cast as the dotty magician Galgo, complete with pointy hat and star-spangled coat. Continue reading


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Tits & Sand: The Thief of Bagdad (1940)

Let’s go back to Tits & Sand movies with the mother of them all – the 1940 version of The Thief of Baghdad.
And I know, there were Arabian Adventure movies before, but this one was and is, to me, the definitive item. Once again, this was a movie that was a staple of afternoon reruns on the telly in the ‘90s, and before that I saw it in a small parish cinema, and boy did it make an impression.
So be warned – I’ll wax nostalgic, or maybe not. But this is one of my favorite movies from way back when…

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She Who Must Be Obeyed

The 1965 take on H. Rider Hagard’s She was the most expensive Hammer project to date, and they could pull it off only because, after much searching, MGM agreed to foot the bill.
After all, it was to be a vehicle for Ursula Andres, that three years before had caused quite a splash as the first Bond Girl ever in Dr No.

And so, yesterday being Andress’ birthday and all that, I watched the old movie again, and it was just as much fun as the last time I’d seen it. It’s not exactly a Tits & Sand movie, despite the fact that both ingredients figure prominently in the mix (but in a classy way). Continue reading