Karavansara

East of Constantinople, West of Shanghai


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The whole Origin

I

n the end it took me more than 18 months.
It was early may 2019 when I decided to splurge 30 bucks on the first volume of the Vertical edition of Mobile Suite Gundam: The Origin, the reboot/redesign of the original 1979 TV series Mobile Suite Gundam as a manga, by the original character designer Yoshikazu “Yas” Yasuhiko.
An object of beauty, a thick massive hardback, printed on high-quality paper and with color inserts and extra features.
The first of twelve volumes.
As I posted about it on the 17th of May 2019, I commented that despite the high cost, I’d probably end up getting the whole series.
I said I was ready to live on instant noodles for the next 18 months.

In fact it took me 27 months.
Buying the whole series meant spending something between 300 and 400 euro.
A lot of money, more than one rate of my mortgage.
So I set myself a challenge – I would buy the remaining 11 volumes using only the money I’d make via my Amazon affiliation links on my Italian language blog. After all, I usually review books, and any commission for sales via my affiliate links get paid as gift cards I can only spend on Amazon anyway.

And so I did it.

And it was not that bad.
I was able to get a new volume every two or three months, without altering my schedule on the blog.
Nice and smooth.
Then, in January this year, somebody filed a complaint to Facebook about my Italian blog, that supposedly spreads hatred and bad propaganda with its mix of book reviews, publishing updates and the occasional recipe.
As a result, my contents were blocked on Facebook, and the number of visits dropped.
I had just got volume 11 of Gundam: The Origin for Christmas, and all of a sudden, the very marginal income I made via my affiliate links had dried up.

It took me 8 months to make the 23 euro I needed for the last volume.
And incidentally it goes to show that my original estimate had been correct.
I had only failed to consider the possibility of my blog being blocked on Facebook.
But what the heck, I had made my decision, and I was not going to change it just because some prick had decided to sabotage my Italian blog.

Eight months.

The 12th and last volume of the series was delivered by the postman one hour ago.
I have a complete set.

Now I might go, re-read it, and review every single volume.
Let’s keep this as a project for the long cold winter nights.


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Non Disclosure Agreement

I have just signed a contract for a big-ish writing job, something large and fun and different that, with a modicum of luck, will come out next year and will carry my name on the cover (or somewhere inside).
Something I cannot tell you about, for a publisher I cannot disclose, part of a project that shall remain unnamed.
Aren’t non disclosure agreements a wonder?

But I can tell you this is one of two big jobs I have lined up for the autumn (the second being still pending), a big fat 80.000 words writing adventure that I will have to plan carefully and execute with speed, elegance and panache.
Or something.

It will mean reading a lot of interesting books for research (a couple I have read already early in the summer), and then write, write, write.

So, the basic equipment is here and is ready

  • a BIC pen and a copybook
  • a stack of books
  • a folder filled with ebooks
  • Scrivener
  • a virtually infinite supply of tea

The vacations are over.
Time to get to work.

And also time to find a way to post updates about my work here, without telling you about what I am writing.
This is going to be fun.


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In paradise with Jacques Tourneur

I found out about Adventures in Paradise via a song called We are the people our parents warned us about. And yes, that’s how I spent my vacations.

Hey hey, Gardner McKay, take us on the leaky Tiki with you
Clear skies bound for Shanghai, sailin’ on the ocean blue

And so I went and googled that name, and found out about a TV series that never aired in my country.

Adventures in Paradise was based on an idea by James A. Michener, whose first book of the same title had been the basis for the musical South Pacific. The series was very loosely based on the general concept of the book. A Korean War vet called Adam Troy – actor Gardner McKay, that got name-checked in the song I mentioned – living in the South Pacific, and working as a charter captain, the skipper of the two-master Tiki.
In each episode, he meets new people and faces a new adventure.
Michener’s popularity as a writer was enough to have the series presented as James A. Michener’s Adventures in Paradise.

The series was launched in 1959, and lasted until 1962, with three seasons and a total of 91 episodes.

So yes, adventure stories on the seas – that sounds pretty much like my cup of tea.
Wikipedia has a page for the series, with a list of the featured stars – the likes of Martin Landau, Barbara Steel, Anna May Wong, Vincent Price and Ann Francis – and directors. And this is where a name caught my attention: Jacques Tourneur.

Now, in case you missed it, Jacques Tourneur is the director of two essential movies, that is Cat People (1942), and Night of the Demon (1957, and based on a story by M.R.James), but he also directed a number of other classics. He’s a legend in the field.
And in 1962 he directed an episode of Adventures in Paradise called A Bride for the Captain.

I had to track it down.
And it was not hard to find, as a lot of episodes of the series have been uploaded in Youtube.

Aha!
Here I had found a perfect “blogger thing” – why not watch all the available episodes, and do a post on each throughout the remainder of this year?
After all, Adventures in Paradise falls under the bailiwick of Karavansara, right?
We even have a sub-cathegory called “South Seas”!
And why not start with Tourneur’s contribution?

So I started watching, picking a few episodes at random, and was quite pleased with what I saw.
OK, it’s a very old TV series, but the premise is sound, the cast is good, and it’s the right thing for the hot summer evenings.

Why not start with the Tourneur episode straight away?
Well, because it came late in the series, and I wanted to get the general layout of the set-up before I got to the one episode I really wanted to see. In order to be able to make a comparison.
And now here we go.

The series in general, as I said, appears to be a more than decent adventure entertainment, with a few noir-ish touches, and an ample serving of exoticism that manages to be quite refreshing. Yes, it’s a bit National Geographic-y, but I grew up reading old National Geographics, so there.
Adam Troy is not a stereotypical tough guy. He’s smart and resourceful, and has a sense of humor.
He does pull all the ladies, but hey, that’s why he’s the hero, I guess.
The thing is entirely shot on sound stages or in the back lot in Hollywood, but that’s OK.
It’s a fun show.

Then we get to A Bride for the Captain and… uh.
The guest star is Ray Walston, of My Favorite Martian fame, and the general tone is comedy.
The premise: Frank Hoag (Walston) is an old friend of Captain Troy, and he’s back in the Pacific after his fourth divorce. And because he got four failed marriages behind him and his old friend Troy is still single, he decides as a form of revenge (?) to get him married.
To do so, he’s willing to spread rumors, falsify documents, and intrude into other people’s lives and try and manipulate others.

Quite a ton of laughs, what?

In fact there are a few pretty comic moments, courtesy of the supporting presence of veterans J. Pat O’Malley and Arthur Malet in the role of two shameless crooks that get sucked into the plot.
But the whole thing is tired, and decidedly unfunny for most of the time.
Maybe it’s the premise, that’s somewhat offensive, maybe it’s the writing.
Tourneur’s hand can still be detected in the way some scenes are framed and shot, but all in all, the episode is highly forgettable.
It came out in March 1962, and four weeks later, the show was over. So maybe the writing feels the fatigue of the long run.

But still, the premise of the series is good, and there are a lot of better episodes available … and we’ll talk about them in the next weeks.


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In the wilderness: on death, betrayal and fear

They say you shouldn’t talk personal stuff on the web, because it’s only going to bring grief, but I don’t care.
So this is going to be a strange post – if I’ll ever post it – but let’s start somewhere good.
Let’s start with Emmylou Harris.
While I can’t say to be a country music lover (I am not), I have always loved Emmylou Harris.
Sometimes in 1990, more or less, I caught on the radio Harris singing “Boulder to Bimingham”, and on the following day I got myself the 1975 records, Elite Hotel and Pieces of the Sky.
What a beautiful voice!

Where is this going?
I’m getting there.

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Sheffield Adventure Film Festival

I come back for a moment from my long vacation to share the link of the Sheffield Adventure Film festival 2021, that is screening online a wide and wonderful selection of adventure documentaries.
You can get single tickets or a festival pass relatively cheap, and half the money goes to the filmmakers.

If, like me, you’d love to travel the world but are stuck in the middle of nowhere, this might bring some relief.


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Weird in Manila: Trese (2021)

I went into Trese, the new animated series from Nettflix, practically blind. OK, a paranormal detective story set in contemporary Manila and based on the folklore of the Philippines. But that was all.
I had seen the trailer, and I was intrigued.

I was a bit dubious because it is presented as an “anime”, but it is not a Japanese product, it was made in the Philippines. You don’t call it New Orleans Jazz if they make in in Sweden, don’t you?
Wikipedia adjusts this by describing the series as “anime-inspired”. OK.
But apart from that, I was curious.

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A (Mary) Gentle thing: The logistics of Carthage

Rats and Gargoyles by Mary Gentle, is one of my favorite novels of all time, and Mary Gentle has always been on the list of authors from whom I hope, one day, to learn something.
What I find particularly appealing about Gentle’s work is the idea that the reader should do their job: think, connect the dots, fill in the blanks. This is part of what makes the Gentle so “difficult” but also, I believe, so rewarding for those who have the courage to face the reading.

In the past few days I received as a gift a copy of Cartomancy, the volume that brings together all the short fiction by the author (excluding the stories of the White Crow series, which are found in a separate volume). It is one of the many collections of short stories that came to me for my birthday – and I thought … why not do a series of posts, a piece on each short story?
And why not start with the stories in Cartomancy?

(also, this is a the first in a series of posts that I will do on my Patreon, both in Italian and English – this one is freely available here too, and on my Patreon page)

Let’s try.

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