Karavansara

East of Constantinople, West of Shanghai


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A woman with a past

The first time I met her, she called herself Helena Saratova.
She claimed to be a Russian aristocrat, and she managed a high-class brothel in Bubbling Well Road, in Shanghai.
She was in her forties, and had blue hair.
It was the summer of 1936, and Felice Sabatini was in a bind.

I was one-third into my first novel, The Ministry of Thunder, and I had painted myself – and my main character, Sabatini – in a corner. We both needed help, and fast, so I summoned a throwaway character, someone that could come in, help the hero, and be gone.
I got much more than I bargained for – Helena not only solved the problems in my plot, but she stayed on scene for most of the second third of the novel, stealing the scene from the leading lady and showing such an easy chemistry with the protagonist that when all was said and done, the novel finished, packaged, sold and read, most of the readers were quite happy,m yes, and wanted more of it.
More action, more adventure, more flying white apes and Chinese demons.
More of Felice Sabatini.
And oh, please, more Helena Saratova.

So I wrote the short Cynical Little Angels, a prequel of sorts to The Ministry of Thunder, that told the story of the first meeting between Felice and Helena.
The readers were once again happy.
Helena Saratova had become my first breakout character.

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A young Helena Saratova…?

I have often mentioned how graphically inept I am, and how much admire – as a consequence – artists that can draw, paint or give shape to their ideas as images in any form.
My schooling steered me away from images at a very early stage, and I grew up to be language-oriented, written-word-bound. I do not complain… but I do complain.
While I’ve taken courses and done exercise, I am still hopeless with a pencil, don’t even mention brushes and paint.

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The Inn of the Four Winds

I am writing the second novel in the Sabatini sequence – The Ministry of Lightning, that for some obscure reasons (you’ll have to read the book to know) comes after The Ministry of Thunder.
Computer mishaps apart, it’s going nicely, with just one problem: I have two prologues.

Now, my friend Claire, that is a fine writer, and not a hack like myself, repeatedly told me that novels need no prologue and epilogue, because that’s something that happens in theatre, not in books.
But what the heck, I grew up watching James Bond movies, and I like a nice pre-title sequence. To set the scene and mood, to hook the readers, to start with a bang, but also with a few questions.
Only, for Ministry II, I have two.

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Accountants, Soldiers and Nurses

Accountants are dangerous. And no, I am not going to entertain you with my adventures in mortgage and banking. The fact is, while doing a bit of research both for The Ministry of Lightning and for a short article I am about to write, I chanced on something that will not go in the article – being only tangentially connected with the topic – and will certainly get into the novel. And it’s all about accountants.
One accountant in particular.
His name was Andrea Compatangelo, and he was an Italian, from Benevento.

Let’s bactrack a little – during the Great War, a number of Italians fought in the Austro-Hungarian forces, simply because the territories from which they came, while being ethnically Italy, were part of the Hapsburg Empire. Many of these men were taken prisoner on the Eastern Front, and deported to Russia.

After the war, an Italian military mission took care of extracting the “talianski” from the Russian working camps, and bring them back to Italy. This is the subject of the article I am writing.
But there were others. And here we go down a wholly different rabbit hole. This is a strange story…

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The Ministry of Thunder – an announcement

OK, drop everything you are doing and listen, because I have to make an announcement.
A big one.

The Ministry of ThunderI have just learned from my publisher, Acheron Books, that The Ministry of Thunder is their bestselling title on the international marketplace.
This makes me really proud.
The Ministry of Thunder was my first published novel and it helped me learn a lot about writing, and it was a fun ride, and I love the characters in it.
Felice Sabatini is like an old friend.
I am completely and unashamedly in love with Helena Saratova, but I also sort of fancy Pat Neil.
And Captain Asamatsu is such a wonderful antihero.
And LaFleur… ah, we go back a long time with Jacques LaFleur.

So, before we go on, I would like to thank all the readers that bought and enjoyed my novel and my characters.
Thank you, from the heart.

This said, there is a storm brewing over Shanghai.
And Sabatini is about to get back in town.

The Ministry of Lightning is going to happen.

Soon.

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A postcard from Hanzhong

acheron_the__ministry_of_thunderWhen I wrote my first novel, The Ministry of Thunder, it was originally called Beyul Express. It was the first in a hypothetical series, and I had written the first draft in eight days. The second draft took six months, and expanded from 48.000 words to 78.000.
The book got some great reviews, and was generally well-received.
Later, I wrote another story featuring Felice Sabatini.
A lot of people had asked to learn more about Helena Saratova, Sabatini’s old partner, and Cynical Little Angels, set about two years before the events in Ministry, described the first meeting between the Italian pilot and the blue-haired adventuress.

angelsTwo nights ago I was going through one of my usual bouts of insomnia. This has been a rough time for me – rougher than usual. Lots of thoughts and stuff. In the last ten days I’ve been unable to write anything good – and you may have noticed my posts on Karavansara became erratic and short.
So two nights ago, nursing a hell of a headache, at about 2am I fired up a txt file, and started writing.
Write to the block, write through your worries.
At 6am the neighbor’s dogs started barking their hearts out at the dawn, and I found myself with 3500 words of The Ministry of Lightning, the sequel to Thunder, taking place in Shanghai, about six months after the last page of the first novel.

As the story opens Felice Sabatini, having walked the 7000 miles back from the Taklamakan desert, rolls back in Shanghai in the sidecar of a stolen motorbike driven by a Korean expatriate. The city is getting ready for trouble – there are sand bags in the streets, and lots of soldiers carrying weapons.
The motorbike enters the Italian-style garden of a mansion on Bubbling Well Road.
“Are you sure this is the place?” the Korean asks, looking dubious.
“I’m sure,” Sabatini replies.
He knocks on the door. A girl in a sailor uniform opens the door, stares at him, starts screaming, and slams the door shut.
Sabatini gives a reassuring grin at the Korean guy, that looks even more dubious.
Then the door opens again, and it goes more or less like this… Continue reading