It was all because of Carole Lombard.
So beautiful it hurt, and very talented, actress Carole Lombard1 was the queen of the screwball comedy movies, and back in the days she was the highest paid star in Hollywood.
I think I first got struck by Lombard when I first saw Ernst Lubitsch‘s To Be or Not to Be, and afterwards I tried to track as many of her movies as possible.
I like her very much2.
It was by reading up on Lombard that I got deeper into screwball comedies, the so called sex comedies without sex that Hollywood developed to counter the Hays Code.
What fascinates me to this day is the fact that screwball comedy is sort of the mirror opposite of the noir genre.
Sexual tension, gender politics and the roles of man and woman in society, class struggle and social critique are all there, as is the idea of the male lead being somewhat dazed and confused, and a victim of his own role – it was all there in both genres, played for thrills in noir, and for laughs in screwball comedy. Continue reading