Karavansara

East of Constantinople, West of Shanghai


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Celebrating the Shadows, 2013

Fact is, reality always takes you by surprise... that's why we need fantasy. To be prepared.

Fact is, reality always takes you by surprise… that’s why we need fantasy.
To be prepared.

(no, not the band that did Apache)

As I mentioned a while back, in this weekend – which marks the birthday of Peter Cushing, Christopher Lee and Vincent Price – the idea is to do something to stress and underscore the relevance and dignity of imaginative fction.
Being chiefly a writer, I’ll write.

I call it Imaginative Fiction (using the old catch-all tag coined by Lyon Sprague de Camp).
You can call it horror, fantasy, weird, science fiction, pulp adventure…
You can call it faery tale, myth, folklore…

It is not kid’s stuff.
Oh, granted, kids love it – because kids are curious, and normally don’t give a damn about being perceived as serious, mature or respectable.
They want ideas – they hunger for ideas.
And if you are looking for ideas, fantasy fiction, imaginative tales, are the best spot in which to dig…

With this I do not mean to diss “serious fiction” – as usual my problem is not with mainstream or serious fiction, is with the fools that use it as a token of tribal belonging.

I read <put the author’s name in here>, therefore I’m acceptable.

That’s how “serious books” get sold but never read.

Now, good imaginative fiction is not normally read to fit in.
In school you are mocked and overlooked.
They call you a geek.
Desirable members of the opposite sex won’t date you.
Teachers appreciate the fact that you’re a reader but might point out to your parents that “the kid has too much imagination.”
As if it were a problem – real, serious, dangerous troublemakers are those without imagination, because they normally can think of just one solution to any problem.

And even if you, being a geek, finally find a suitable community – comic book readers, fantasy fans, roleplayers – that’s supposed to be a phase you’ll leave behind when you”grow up” and start thinking about “important things”.
Important thins seem to involve being unhappy because you want them, and then being unhappy because once you get them they are not so hot after all.
Weird.

But for a fact, imaginative fiction makes us better.

In its deviations from reality, imaginative fiction questions concepts like those “important things”.
Truly, we read these stories, watch these movies, not to escape reality, but to look at it closer from a new, fresh perspective.
We need these narratives not to escape reality, but to fight the need to escape reality.

So, during this weekend I’ll celebrate watching an old movie with dinosaurs in it, and then I’ll read some weird book full of monsters.
Not because it’s cheap escapism – but because there’s a point in surrealism, there’s a strong moral drive in adventure stories, because contemplating the strange it’s easier to understand the mundane, later.

IMMAGINE-1_g4x88jsmSo let’s raise a glass to our three patron saints – men of culture and intellect, that never despided imaginative fiction, and contributed making it popular, and acceptable.
Go read a book.
Go watch some movie.
Dust off the old comics collection.
And teach the younger generations that’s where ideas come from.

Cheers!


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I remember Zanthodon

“…there are still lost lands in the remote corners of the earth where fantastic monsters roam, where chaste and beautiful women remain to be rescued from sneering villains, and where adventure and peril and heroism thrive amid exotic and bizarre scenery.”

journey

I was just sweet sixteen…
Well, no, I was a tad younger, actually, when I found, on a shelf of my favourite bookstore, an old copy of Lin Carter’s Journey to the Underground World, published by DAW book.
A very small pocket-sized paperback, the pages crispy with age, and a cover with… well, with a pterodactyl carrying away a busty blonde.

Now, I do not know if it’s still like this out there, or if it was ever like this anywhere else back then, but when I was a kid of ten or thereabouts, the general practice was, they handed you a thick Jules Verne book, maybe for Christmas, or for your birthday – because you were a kid, and kids “just love” adventure stories.

OK, so let me tell you – there’s nothing worse, when you are a kid of ten/twelve in the seventies, to be handed a 1950s translation of Journey to the Center of the Earth.
It’s boring.

So I went through Verne’s Center of the Earth as a kid, being bored silly, when I found out there were actual real books with Tarzan in them.
Tarzan, the guy from the movies.
Only, I found out, much better than in the movies.

Having read a few Tarzans, I started looking for something I really thought should be a smash – At the Earth’s Core, from the same guy that did Tarzan, but… wow, with dinosaurs! And adventure! And babes!

But the novel was not translated in Italian, so I put it on my list for my project of starting and reading in English.

And then, I found Zanthodon.

ZNTHDNVVJN1980Lin Carter’s Zanthodon books – the first in the series being the afore mentioned pterodactyl-with-blonde book – are a pastiche of Burrough’s Pellucidar series.
And they are fun.
They are, probably, the best stuff Carter wrote – I love the John Dark novels, I enjoyed his Lemurian tales, but Zanthodon is more tongue-in-cheek, more happy-go-lucky in its approach to the exotic adventure, more modern, and fun.
In an classic Burroughsian twist, Eric Carstairs journeys by drilling-mole to a huge cave beneath the Sahara, where the classic cast of babes and dinos awaits.
His sidekick is eccentric Professor Percival Penthesileia Potter.
You can guess the rest.
Carter follows the Burroughs standard plot closely – but provides us with a highly psaeudo-scientific rationale for the existance of his subterranean worls, which is actually slightly more plausible than the classic Hollow earth scenario.

Blimey, it was fun!

A few months later, I left Zanthodon for Pellucidar, having found a copy of teh Signet edition of the first book.
But Carter’s slightly parodic and yet not-ridiculous-at-all approach to his stories and characters remained with me a long time.

Right now, I’m going through my Pellucidar and Caprona books, and I’ll probably post some ideas here.
But before I start, I wanted to pay homage to Lin carter’s Underground World.
It was great fun.


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Weekend in Saramyr

c17344A short one.
Thanks to one of my readers’ gift of an Amazon voucher, I’m currently reading Chris Wooding’s excellent The Braided Path, which collects his three novels set in the Oriental-tinged, sort-of-China-by-way-of-Japan continent of Saramyr.
And I must say I’m very pleased with the story so far – the mix of fantasy elements, the Oriental flavor of the setting and the pace are just great.
Good old-fashioned fun, with a lot of new twists.
The only drawback is the weight of the omnibus volume – I guess I should have picked the ebook edition.
Just this – I thought I should let you guys know.