East of Constantinople, West of Shanghai


Violent Femmes (not the band)

I was 23 when Luc Besson’s La Femme Nikita hit the screens, and it was wild.
There had been action thrillers before, of course, but none like this – Anne Perillaud was absolutely stunning, and she was a killer.
In the true sense of the word.
La Femme Nikita was tough, dark in an almost neo-noir way, elegantly shot, and it featured a woman that did what usually was done by a guy, in this kind of movies.

Fast forward thirty years, and the kick-ass dame has become a common trope of modern action cinema, to the point it is now almost its own genre – the crime/espionage action thriller with the lone woman fighting her way from the first act to the third. You know, stuff like Atomic Blonde.

Today being Sunday, and this being August, I decided to take one day off. I spent the morning (re)reading the dark, disquieting The Devil in Nanking, by the late lamented Mo Hayder, and in the afternoon, it being too hot for anything else, I started the fan and then went to see what Prime Video had to offer.
I watched three movies. First, I watched Kate Beckinsale kick ass in New York in Jolt, then I watched Sasha Luss kick ass in Paris in Luc Besson’s Anna, and finally I watched Karen Gillan kick ass in Berlin in Gunpowder Milkshake.
Let’s talk about it.

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