Karavansara

East of Constantinople, West of Shanghai


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Two Bottles of Wine and a Box of Biscuits

avventurieriLast night I did a presentation based on my first ebook, Avventurieri sul Crocevia del Mondo – an informal look at the history of the Silk Road and at the weird chaps that ran along it between the First and the Second World War.

The venue was the hall of the UniTre – the Senior Citizens University – of Incisa Scapaccino, a town roughly three kilometers from where I live.

I did a two hoours gig, the audience was well pleased and entertained and I was asked to do some more presentations on a number of subjects.
It was done pro bono – actually, it was done for two bottles of fine wine and a box of local pastries.

Now, I’ve been called a few weird names – online, mostly – because I do this sort of free gigs, and yet I often affirm the writer must be paid.
Some have called this a double standard.
I do not think it is – the fact that I am doing free voluntary service for my community, basically paying back the welcome I have ben given in these hills when I moved from the big city, does not make me particularly dishonest when I ask a fair price for my work.
Two bottles of fine wine and a box of biscuits is a fair price for my time, in this particular situation, as it is the warmth of the welcome that was given to me.
I’m liable to ask higher fees when dealing with a publisher – it’s not that weird, I think.

And yet, some people do not seem to understand.
Usually, they are those requiring professional services for free.

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Dealing with plain hostility

As many friends of mine know, I collect books about writing – handbooks, critical collections, author memoirs.
I’ve been through close to 100 volumes on the subject of “writing” – and while not a single one of them holds “the Truth”, there is not a single one of them that did not teach me something.
Which is cool.
And yet…

A classic chapter in almost every writing handbook is something called “Dealing with rejection” – an essential set of “rules” for those bad days when a letter or a mail comes telling us that our story sucks.
Boy, it’s useful – because our stories do suck, sometimes.

What I find sorely missing is a chapter about “Dealing with plain hostility” – a set of rules for those bad days when someone decides to slam us, basically to vent their own frustration and make somebody else miserable. Continue reading


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Nineveh!

Two for the price of one…
I just found out this piece of music, which works great as an ideal part of a soundtrack for my Acueleo & Amunet stories.
And the video serves as research for my next story, currently being outlined.

The next Aculeo & Amunet story will be called All the Roads to Nineveh, and despite an echo of Zelazny, the title comes from an observation from my editrix, Marina (Thanks! 😉 )

In the meantime, enjoy the music!


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Into the Great Unknown

Today’s post is an anomaly.
Yes, sorry, no prompt today.

Fact is, as you are reading this, I’m either at the printer, printing and binding my PhD dissertation paper, or at the office of the delivery service, packing and sending it off to my university, in Urbino.

My former university, to be exact, as the delivery of the dissertation means our collaboration is over for the time being – there will be the final ordeal of the oral presentation, but ok, as you’re reading this it’s over – or it’s almost over.

Then what?
Nice question.
I do not know.
The Great Unknown looms.

But I’m at ease with the Great Unknown.

onward_to_the_great_unknown_by_statham75-d52q9w6

 

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Yellow Peril

cover38282-mediumReading Yellow Peril! – An Archive of Anti-Asian Fear, by John Kuo Wei Tchen and Dylan Yeats, is a weird experience.
As the sub-title points out, this big book is a huge collection of texts and images mapping the relationship between the East and the West.
The East as imagined by the West, to be exact.

The effect can be shocking.
Especially for someone who grew up in a generally liberal household, in a country which had not (at the time) any experience with foreign immigration, reading old pulps – that’s me.

Understanding the actual racism behind some classic genre tropes is eye-opening, and helps put in perspective a number of cliches and stereotypes.

This is an important book, and highly recommended – but will raise a number of issues with the reader.
Which is a good thing, if not overly comfortable.

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