Karavansara

East of Constantinople, West of Shanghai


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Selling the unknown

I have just mailed a four-page preliminary pitch to my Italian publisher, a proposal for a novel that might be fun to write, and might become the first in a series (one hopes) and might even have a chance on the international marketplace (ditto).

Now, a short pitch should include the working title, the general plot, and the major selling points of the book. The author, in other words, should tell the publisher why this book is the coolest book ever written, why it will sell in cartloads, and who is going to buy it (possibly multiple copies of it).

And here is the rub – one of the strong points of my story, I am sure, is that nothing like this was done before, at least in my country, at least within my genre of choice. I can point out TV series and movies, comics and books, that work on the same premises – or something really similar – but in Italian, as horror/thriller? No, never.

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We are still having fun

I read the news today, oh, boy, just like John Lennon did. In my case, it was a social media post by someone I know. It was a masterful piece of brand management – three paragraphs with all the right keywords and all the bits and pieces to reinforce the author’s brand, the SEO perfectly balanced.
His pet topics, his by-words, even a subtle call-back to his first book.
The sort of thing you read in books by social media gurus about how to establish your presence and reinforce your brand.
It was, also, a piece about the recent death of a person, a public figure, a musician.

Me, I’m old fashioned, probably even Victorian in such things, but I found it in poor taste, and my respect for that person dropped a few more notches.

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Spare change and writing classes

Talking about my generation, like Roger Daltrey used to do, we never really got used to the copper spare change that came when we transitioned to the Euro system. It’s psychological, and cultural – the 1, 2 and 5 eurocent coins feel like ballast, feel like a waste of time counting.
Back in the days, soon after the advent of Euro, older people used to refuse to take the change, when shopping… “ah, seven cents, keep them!” and anyone paying a 1 euro candy bar with 20 five cent coins was looked at by everyone in the shop like he was some kind of beggar with a sweet tooth.

So what happens now is, when you take an old jacket out of the closet and brush it up, you find a selection of ones and twos and fives. Ditto when cleaning drawers, or when you happen to look in old china vases and other odd containers.

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Selling stories to foreign magazines

Today I was told yet again that I should write a handbook to explain to my Italian colleagues how to sell stories to foreign magazines and anthologies – especially English-language magazines in my case.

I had to explain that such a handbook would be pretty short – so short, in fact, that I can publish it here in its entirety…

  • write a story
  • mail it to a magazine
  • if they buy it, cash in the cheque
  • if they don’t buy it, send it to another magazine
  • in both cases, start writing another story as soon as you’ve mailed the first

And that’s it, really.

But a lot of people want to know “The Secret”.

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The first book of 2020

Last night I splurged 8 of my hard-earned dollars to acquire the first two tiers of the latest Humble Bundle, called 2020 New year, New You – a grab bag of titles on a variety of topics, good as fuel for new year’s personal resolutions – self-help books (from time saving to meditation to retirement plans) and cookbooks (a book of slow cooker recipes!), writing handbooks and a thesaurus, books about bucket lists and other wonders. These sort of bundles usually capture my fancy, because they feel like going through a bookstore filling a basket with stuff that makes me go “wow, that’s interesting!”
My 8 bucks contributed to help a charity (in this case, Every Child a Reader), and bought me 16 very different books.
I was particularly interested in the cookbooks, in the memoir by a former undercover detective, and in the writing handbooks.
The first I started was therefore David Morrell’s The Successful Novelist.

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Dreaming up a new series (because rust never sleeps)

I was talking with some friends, a few days ago, of how much The Avengers (the British TV series, not the guys in spandex from Marvel) had an impact on my life. It was the vision of the classic Steed & Peel seasons back when I was around 8 that made me a committed Anglophile for life – and so everything, from my desire to learn English to my spending one year in London as a student, stems from there.

My interest for spy stories and a certain brand of strange, surreal adventure certainly owes a lot to The Avengers (and to The Prisoner).
I believe my attitude towards women was shaped (also) by an early crush on Mrs Peel, and if I keep writing stories about couples bickering, chattering and working together as partners in crime, it is certainly because of The Avengers.

Here I should note that when I was a kid we did get an awful lot of British TV series, and those shaped my tastes and left a huge impression: The Avengers, The Prisoner, The Persuaders, UFO, Space 1999, Children of the Stones…
It was good being kids back then, and a lot of the imagination sparked by those shows filtered somehow in what I write.

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The last twist of the year

My friend Angelo pointed out to me a recent article on an Italian newspaper about Andrea Compatangelo and the Battaglione Savoia, that – with minimal changes – are featured in Guillotine Wind, my recent historical adventure novella.

Based on the little I was able to find on the character (that I called Campatangelo, with an “a”, adopting an alternate spelling found in some documents) and his adventure, I played fast and loose while I was writing – there is a point beyond which historical adventure has to be more adventurous than historical.
The name change was indeed intended as a signal that my story was fiction, not history.

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