And so they went and did it – a Supernatural/Scooby Doo crossover.
And honestly, it was a hoot watching it. Continue reading
And so they went and did it – a Supernatural/Scooby Doo crossover.
And honestly, it was a hoot watching it. Continue reading →
I’m going on with my sketching course, and it’s good to see I don’t suck as badly as I remembered.
Now, having the time, a good practice when one wants to learn how to draw, is to check out the works of some artist they like, and start copying them. This is both a good training for eye-hand coordination, and a good opportunity to learn about composition, lighting and volumes.
So, as usual, I did a quick survey of my favorite artists.
Back when I was in high school, I guess I would have given an arm or a leg to be able to do the sort of things that Frank Frazetta or Boris Vallejo did. Or Chris Achilleos. Or, sure, Michael Whelan. Continue reading →
A fan (yes, I have fans!) very kindly sent me a copy of the reprint edition of Oriental Stories, the Summer 1932 issue. I am putting together a collection of these nice reprints from Wildside Press, and the gift was highly appreciated.
The magazine includes, among others, an Otis Adelbert Kline story in his Dragoman series, a weird mystery set in Shanghai, an August Derleth story set in Manchuria, and a “complete novel” called “Pirate Whelp”. It is quite promising.
Now, whenever I get one of these magazines, the first thing I do is go through the whole issue, checking out the illustrations, marveling at the period advertisement…
Geez, really I could get me 12 mystery novels featuring Experience Smith, master detective1, by simply subscribing to Weird Tales for four months? Sounds like a great deal!
… and then I check out the readers mail page – called The Souk.
I sometimes wonder if readers at the time did the same.
And there, in the Summer 32 issue of Oriental Stories, in the Souk page, there is a reply to a mister Francis X. Bell, that wrote to point out that Robert E. Howard blundered badly, in his Lord of Samarcand (published in a previous issue), when he described Timur celebrating his victory with a drink of wine, Timur being a Muslim and the Koran banning the faithful from drinking alcohol.
Which of course is a silly thing and it gets properly dismantled in a very detailed response (by Farnsworth Wright himself?), which is quite a nice read, really.
Of course I thought about recycling this for my worldbuilding course, about how sometimes our deep historical background checks are completely lost to (some of) our readers – and it is at the same time sad and sort-of-reassuring to see that nitpicking readers playing a game of one-upmanship with the author are not something that started with the internet.
Anyway, in case you are interested, you can check out the Howard story, Lord of Samarcand, for free, on the pages of the Gutenberg Project of Australia.
And have a drink of wine with Timur.
Game of Aces is a 2016 historical action/adventure movie that got a limited release in theaters and was later available on demand in streaming – today you can catch it on Amazon video or Hulu.
Shot in the Death Valley desert doubling for the Egyptian desert by Damien Lay, an Australian director with a past as a documentary-maker, and a small international cast, the movie allegedly cost 500.000 dollars.
And while budgetary limits are evident, the end result is quite interesting, and decidedly worth a look if you like the things we like here on Karavansara.
This is a fun movie, that plays nicely its limited resources and is not as weak as some reviewers made it look.
The review is coming in the next 36 hours, but in the meantime, check out this trailer.
I spent last night watching the second of the three TV-movies in The Librarian franchise.
It’s like riding a seesaw – and if I actually enjoyed the first Librarian movie, the second was a terrible let down.
The Librarian: Return to King Solomon’s Mines is an African adventure aimed at a younger audience that fails to capture the simple goofishness of the first movie. And yet, the cast is more or less the same, the plot is a simple piece of chewing-gum and everything should go for the best.
Only it does not.
A pity, really – but no matter how much I wanted to like it, I sank into a bottomless barrel of boredom. Continue reading →