Karavansara

East of Constantinople, West of Shanghai


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Selling the unknown

I have just mailed a four-page preliminary pitch to my Italian publisher, a proposal for a novel that might be fun to write, and might become the first in a series (one hopes) and might even have a chance on the international marketplace (ditto).

Now, a short pitch should include the working title, the general plot, and the major selling points of the book. The author, in other words, should tell the publisher why this book is the coolest book ever written, why it will sell in cartloads, and who is going to buy it (possibly multiple copies of it).

And here is the rub – one of the strong points of my story, I am sure, is that nothing like this was done before, at least in my country, at least within my genre of choice. I can point out TV series and movies, comics and books, that work on the same premises – or something really similar – but in Italian, as horror/thriller? No, never.

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Spare change and writing classes

Talking about my generation, like Roger Daltrey used to do, we never really got used to the copper spare change that came when we transitioned to the Euro system. It’s psychological, and cultural – the 1, 2 and 5 eurocent coins feel like ballast, feel like a waste of time counting.
Back in the days, soon after the advent of Euro, older people used to refuse to take the change, when shopping… “ah, seven cents, keep them!” and anyone paying a 1 euro candy bar with 20 five cent coins was looked at by everyone in the shop like he was some kind of beggar with a sweet tooth.

So what happens now is, when you take an old jacket out of the closet and brush it up, you find a selection of ones and twos and fives. Ditto when cleaning drawers, or when you happen to look in old china vases and other odd containers.

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Vampires

Last night I pulled out two things from my shelf – my copy of the Hammer movie Vampire Circus (1971) and my copy of J. Gordon Melton’s The Vampire Book, a massive encyclopedia of the undead that is part of my somewhat extensive collection of non-fiction books on the subject. I was quite surprised when I discovered The Vampire Book was published in 1994 – is it really been that long?
This led me to reflect on the reason for my general dislike for vampires in the last few years – the Vampire roleplaying game, that first came out in 1992. Suddenly vampires where hot in the ’90s, and as it usually happens, the surge of recent converts to the new faith caused me to look somewhere else for my thrills.

Me, I was a Ravenloft sort of guy, or even better a Warhammer Fantasy RPG sort of guy, when it came to roleplaying vampires.
Even better – a Chill sort of guy.

As for stories…

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I never wrote a vampire story

It’s something I realized a few nights back, while watching the new BBC adaptation of Dracula.
It was the classic realization thing in three movements, like a symphony, that’s often mentioned in writing handbooks:
first movement – damn, I can write better stories that this!
second movement – hey, I actually never wrote a vampire story! Never, in all these years…
third movement – opens a new folder and a new file in Scrivener.

Which of course leads to the question… why not?

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Dreaming up a new series (because rust never sleeps)

I was talking with some friends, a few days ago, of how much The Avengers (the British TV series, not the guys in spandex from Marvel) had an impact on my life. It was the vision of the classic Steed & Peel seasons back when I was around 8 that made me a committed Anglophile for life – and so everything, from my desire to learn English to my spending one year in London as a student, stems from there.

My interest for spy stories and a certain brand of strange, surreal adventure certainly owes a lot to The Avengers (and to The Prisoner).
I believe my attitude towards women was shaped (also) by an early crush on Mrs Peel, and if I keep writing stories about couples bickering, chattering and working together as partners in crime, it is certainly because of The Avengers.

Here I should note that when I was a kid we did get an awful lot of British TV series, and those shaped my tastes and left a huge impression: The Avengers, The Prisoner, The Persuaders, UFO, Space 1999, Children of the Stones…
It was good being kids back then, and a lot of the imagination sparked by those shows filtered somehow in what I write.

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Bill Shakes in 2020

Because I needed something different to do (boredom can be a terminal illness in these hills), I have just joined the Shakespeare 2020 Project, a bunch of like-minded individuals that will read the whole of William Shakespeare’s works in the year 2020.
We begin tomorrow, with, quite obviously, Twelfth Night.

In case you are interested in joining the initiative, here is the link.

I think I will post about my adventures in Shakespeare – my brother suggested a podcast, but the more I think about it, the more I understand that I HATE talking to myself in public.
So I’ll write.

And as I am at it, here is the list of what I’ll keep handy throughout the year:

  • The Oxford Complete Works of William Shakespeare
  • The Rough Guide to Shakespeare
  • Asimov’s Guide to Shakespeare, in two volumes

It’s going to be fun.


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Yet another Valerie

What’s with me and the name Valerie?
I do not know – but I know a lot of Valeires have turned out in my stories through the years. Indeed, the female lead in my very first “good” work, back in 1989, was called Valerie. And maybe it was the Quarterflash song of the same name, but I doubt it.

Anyway, Valerie Trelawney debuted in society this morning, as my Patrons in the Five Bucks Brigade received the third story in the Seven Lives project – a short called The Case of the Inkmaker’s Daughter. The character will have a more public debut later in 2020, when a second story, celled The Case of the Manchester Mummies, will be published in a big fat anthology together with the work of many writers that are better than me.

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