Karavansara

East of Constantinople, West of Shanghai

Fake interviews and pulp writers

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Yesterday I read what I think is the fakest (is that a word?) interview ever published. The sort of interview that makes me absolutely certain the guy being interviewed never wrote the story he’s been interviewed about.
Stilted answers, that failed to capture the plot, the characters or the background of the story being discussed.
Generic, sum-zero platitudes, the sort of meaningless placeholder text one finds in bad writing theory books (“a story about captivating characters”).
It was infuriating, because I take writing seriously, but some evidently don’t.

51KKCGDFlLL._SX331_BO1,204,203,200_I’ve read a lot of personal accounts by writers, and a lot of biographies. When they are not fake they are a great insight on the creative process, and are a never-ending source of ideas, techniques and tricks of the trade.
In this sense, I cannot recommend enough the volumes Speaking of the Fantastic, that collect the interviews Darrel Schweitzer did during his long career. Better than a writing course. Much better.
And mind you – I give writing courses.

Anyway, to recover from the bad aftertaste of that fake interview, I went and got me a nice little book that sells for 2.99 in ebook and is worth every last cent. It’s called Pulp Era Writing Tips and it’s a collection of articles about writing by – you guessed it – authors from the era of the pulps, as edited by Bryce Beattie. 514HLWfJs9LAnd I found in the volume all the freshness and the authenticity that was sorely missing from that other text.

Authors, in my experience, generally like to talk about their work. They like to relate anecdotes, point out funny or uncanny bits, and generally go through their creative process. Many tend to romanticize their working routines, or give it a too organised, planned and one-size-fits-all sort of feel, and sometimes some will provide what my friend Hell (yes, they really cal him like that) calls “the Commode Story”, like in Reservoir Dogs: not the truth, but a story so finely crafted, so thoroughly rehearsed and so often repeated that they believe it themselves.
But most of the time, you get good value and solid, reality-based information.
And that’s what you want to get.
You get it in this small booklet.
Pulp Era Writing Tips is highly recommended to anyone with an interest in writing, and to anyone with an interest in the pulps and in entertainment fiction.
Might even help someone learn a trick or two when they try faking it at interviews.

Author: Davide Mana

Paleontologist. By day, researcher, teacher and ecological statistics guru. By night, pulp fantasy author-publisher, translator and blogger. In the spare time, Orientalist Anonymous, guerilla cook.

One thought on “Fake interviews and pulp writers

  1. Pingback: Un esercizio di scrittura a cui non avevo mai pensato: la copiatura | solo qualche parola

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