Karavansara

East of Constantinople, West of Shanghai


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The Spine of Night (2021)

Maybe not the ideal Easter movie, but The Spine of Night popped up on my radar (it is currently running on Shudder), and being in a dark fantasy/sword & sorcery mood (big news), I decided to take a look. I was duly impressed and highly entertained, and that’s all I was asking for.

On the technical side, The Spine of Night is a rotoscope animated feature, in the style of Ralph Bakshi’s Fire & Ice or Heavy Metal. With Fire & Ice shares a certain old school fantasy feeling, and like Fire & Ice it is an anthology movie, the single episodes tying in together into a larger overarching narrative.

In the movie, we witness the rise of a god-emperor thanks to the powers of a mysterious blue flower that is somehow connected with the deeper fabric of the universe. As the god-emperor extends his dominion over the world, we catch snippets of other stories, and get a good look at the underlying mythology of this world.

A good solid movie with a somewhat Lovecraftian twist, The Spine of Night is a very dark fantasy, with a nihilistic edge, and does not shy away from violence, gore and nudity – so if anyone tells you “animation is for children”, here you have your counter-argument.

The movie backgrounds are completely stunning, and while it takes a moment to get used to the style in which the characters are drawn and animated, once we get past that uncanny valley thing that rotoscoping causes, it’s all fine.

The voice cast includes Richard E. Grant, Lucy Lawless, Patton Oswalt, Betty Gabriel, and Joe Manganiello, and they all do an excellent job. The music is fine, and the direction – by Philip Gelatt and Morgan Galen King (who also wrote the script) is quite interesting.

Probably not everyone’s cup of tea, but it’s good to see that this sort of movies still get made.