Karavansara

East of Constantinople, West of Shanghai


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Poetry Month

Turns out April is the Poetry Month. It must be the spring.
As a direct consequence of this, I received a list of 25 publishers that accept poetry this month, and I find myself thinking… hmmm, 50 bucks per page!
Yes, my poetic spirit sits very close to my wallet, these days.

But it’s not proper to be so cynic.
I never wrote poetry. This might be a good opportunity to try.
After all, wasn’t that the gist of the excellent guide to poetry by Stephen Fry I read a while back?
So, why not giving a try?

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Robert E. Howard at 113

Two-Guns Bob is being celebrated by the knuckleheads in this 113th birthday of his – they talk of blood-dripping blades and big-boobed wenches, of colorful curses, sex and violence, and simple-mindedly describe him as a purveyor of simple-minded trash, because that’s what they are all about.
That’s the new narrative hereabouts, and they say you can’t fight them, because they are many, and now they own the field, their trash is the new truth, because they can repeat it long enough.
I say screw them.
So here’s a poem by Robert E. Howard, born on this day in 1906, a fine writer and an intelligent man, that sometimes wrote rubbish, but even then, with flair.
Because here in Karavansara we remember, and care.

Dreams of Nineveh

Silver bridge in a broken sky,
   Golden fruit on a withered bough,
Red-lipped slaves that the ancients buy—
   What are the dreams of Nineveh now?

Ghostly hoofs in the brooding night
   Beat the bowl of the velvet stars.
Shadows of spears when the moon is white
   Cross the sands with ebony bars.

But not the shadows that brood her fall
   May check the sweep of the desert fire,
Nor a dead man lift up a crumbling wall,
   Nor a spectre steady a falling spire.

Death fires rise in the desert sky
   Where the armies of Sargon reeled;
And though her people still sell and buy,
   Nineveh’s doom is set and sealed.

Silver mast with a silken sail,
   Sapphire seas ‘neath a purple prow,
Hawk-eyed tribes on the desert trail—
   What are the dreams of Nineveh now?

In case you’re interested, the poems of Robert E. Howard can be found here, courtesy of WikiSource.


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The World Poetry & Forests Day

Today is both the World Poetry Day and The World Forest Day, so it looks like the right time for doing something featuring both verses and forests.

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But I’m not so hot on poetry – a few contemporaries, some classic Japanese and Chinese poems, and then of course Poe, John Donne and that other chap, that Shakespeare.
But I found something that in my opinion fits this blog, and my current mood, and is from a great great writer that is not so popular anymore, alas: George Meredith, who gave us The Shaving of Shagpat and, of course, Diana of the Crossways.

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He was also a poet, and wrote this, which is called Forest History.
Enjoy, and happy Poetry & Forest day. Continue reading


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The Good Stuff

john-d-macdonald-60sYesterday I wrote great writers are those that can actually write down what we feel, but we so far have been unable to express with the same economy and focus.

Here’s John D. Macdonald, from the introduction to his short story collection, The Good Old Stuff.

First, there has to be a strong sense of story. I want to be intrigued by wondering what is going to happen next. I want the people that I read about to be in difficulties–emotional, moral, spiritual, whatever, and I want to live with them while they’re finding their way out of these difficulties. Second, I want the writer to make me suspend my disbelief…. I want to be in some other place and scene of the writer’s devising. Next, I want him to have a bit of magic in his prose style, a bit of unobtrusive poetry. I want to have words and phrases really sing. And I like an attitude of wryness, realism, the sense of inevitability. I think that writing–good writing– should be like listening to music, where you pick out the themes, you see what the composer is doing with those themes, and then, just when you think you have him properly analyzed, and his method identified, he will put in a little quirk, a little twist, that will be so unexpected that you read it with a sens of glee, a sense of joy, because of its aptness, even though it may be a very dire and bloody part of the book. So I want story, wit, music, wryness, color, and a sense of reality in what I read, and I try to get it in what I write.

He makes it sound almost easy.