East of Constantinople, West of Shanghai


Fighting as narrative (or vice-versa)

I have just watched Seven Strike as One, the final episode of the third and last season of Into the Badlands, to me still the best fantasy series on the telly these last few years, and one I will miss a lot now that’s gone. The finale was fast but highly satisfactory, and ended with two colossal hooks for a possible sequel that, alas, seems unlikely.

Sherman Augustus as Moon, Eugenia Yuan as Kannin, Nick Frost as Bajie, Daniel Wu as Sunny, Emily Beecham as The Widow, Lewis Tan as Gaius, Ally Ioannides as Tilda – Into the Badlands _ Season 3, Episode 16 – Photo Credit: Aidan Monaghan/AMC

I admit I am a fan of the series – I love the characters, the setting, the fighting choreography, the small scale of the story that makes this more sword & sorcery than epic fantasy, the retro-futuristic elements.
I will try and get the DVDs sooner or later.
And there’s another reason why I want to re-watch the whole series – Into the Badlands is absolutely great at making the fight scenes part of the narrative.

(spoiler alert: I’ll be using clips from the first season of the show, so they should be pretty safe, but if you’d rather watch the episodes first, just don’t start the videos)

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Into the Badlands

My brother asked me why I never did a post about Into the Badlands. Because my memory is like a sieve, was the only possible answer.
But now that I have been reminded that I have been intending to do a post on the series, why wait?
Here we go.

Into the Badlands is an original TV series produced by AMC. It started in 2015, and it is currently in its third season. And I like it a lot, and I highly recommend it to anyone sharing my interest in adventure, science fiction, action, intrigue and a good solid entertainment, with a brain.

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