Karavansara

East of Constantinople, West of Shanghai


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Film Stories

My complete run of the first seven years of Ciak magazine, Italy’s premiere movie magazine, was scrapped while I was serving in the Air Farce – my mother decided all that useless paper was just a waste of space, and she threw it out. Granted, by that time I had stopped following the magazine, because I did not like the editorial approach anymore, but it was still a colossal loss for me: through that magazine I had started to look at the movies in a different way.

One of the reasons why Ciak was not cutting it anymore was, of course, that by the mid-90s I had started reading foreign movie magazines – Empire, Premiere, a few odd copies of Film Studies and Midnight Marquee, a couple of Fangoria, even a few issues of Cahiers du Cinema. Those were spared the Great Motherly Purge, because they were stacked in boxes and did not look like a bunch of magazines on a shelf.

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Smart software

yost-Noir-City-Magazine-CoverOne thing I hate, really, is when software tries to be smarter than me.
You know, spell-checkers double-guessing what I’m typing, GPS navigators knowing better than me where I want to go, and now, Gmail sorting my emails and deciding what I don’t want to read.

It was by accident this morning that I found out that Gmail had decided to file as spam all the communications to me from The Film Noir Foundation.
Now, about two years ago I had donated twenty bucks to the foundation – because I love noir, because it was the right thing to do, and all that.

Then, because of the already-mentioned chaotic months that followed, I completely forgot about it – also because I got no signal back from the Noir Foundation. Continue reading


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Film Noir Foundation

269811_300And so I went and blew twenty bucks and made a donation to the Film Noir Foundation.
These guys love noir movies as much as I do, and they are committed to the preservation of the old classics.

It is our mission to find and preserve films in danger of being lost or irreparably damaged, and to ensure that high quality prints of these classic films remain in circulation for theatrical exhibition to future generations.

Which is cool. Continue reading