Karavansara

East of Constantinople, West of Shanghai


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Spare change and writing classes

Talking about my generation, like Roger Daltrey used to do, we never really got used to the copper spare change that came when we transitioned to the Euro system. It’s psychological, and cultural – the 1, 2 and 5 eurocent coins feel like ballast, feel like a waste of time counting.
Back in the days, soon after the advent of Euro, older people used to refuse to take the change, when shopping… “ah, seven cents, keep them!” and anyone paying a 1 euro candy bar with 20 five cent coins was looked at by everyone in the shop like he was some kind of beggar with a sweet tooth.

So what happens now is, when you take an old jacket out of the closet and brush it up, you find a selection of ones and twos and fives. Ditto when cleaning drawers, or when you happen to look in old china vases and other odd containers.

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Zweihander + Main Gauche: RPG in the pocket

I wrote about Zweihander, the Grim & Perilous RPG developed, unsurprisingly, by Grim & Perilous Studios and Daniel D. Fox, back in 2017, when I got a copy of the basic handbook in PDF and was quite positively impressed.

Basically, Zweihander is a retro-clone of the classic Warhammer Fantasy RPG (WHFRPG) that made it big – it cleans up the rules and it straightens up a few of the glitches of the olf First and Second editions of WHFRP, and while preserving all the good parts of the old game, it also adds a few bits and pieces – the core rulebook is a hefty 672 pages. The hardback edition is impressive and rather costly – but you can get the PDF version for less than 15 bucks.

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Vampires

Last night I pulled out two things from my shelf – my copy of the Hammer movie Vampire Circus (1971) and my copy of J. Gordon Melton’s The Vampire Book, a massive encyclopedia of the undead that is part of my somewhat extensive collection of non-fiction books on the subject. I was quite surprised when I discovered The Vampire Book was published in 1994 – is it really been that long?
This led me to reflect on the reason for my general dislike for vampires in the last few years – the Vampire roleplaying game, that first came out in 1992. Suddenly vampires where hot in the ’90s, and as it usually happens, the surge of recent converts to the new faith caused me to look somewhere else for my thrills.

Me, I was a Ravenloft sort of guy, or even better a Warhammer Fantasy RPG sort of guy, when it came to roleplaying vampires.
Even better – a Chill sort of guy.

As for stories…

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Selling stories to foreign magazines

Today I was told yet again that I should write a handbook to explain to my Italian colleagues how to sell stories to foreign magazines and anthologies – especially English-language magazines in my case.

I had to explain that such a handbook would be pretty short – so short, in fact, that I can publish it here in its entirety…

  • write a story
  • mail it to a magazine
  • if they buy it, cash in the cheque
  • if they don’t buy it, send it to another magazine
  • in both cases, start writing another story as soon as you’ve mailed the first

And that’s it, really.

But a lot of people want to know “The Secret”.

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No inbetween

I was standing on my soapbox… ok, on my Italian blog… and I was talking about those guys that play the Amazon algorithms to increase their sales in ways against the company’s rules. A friend of mine is doing a series of videos on the subject, and if you are trying to make a living by writing, the presence of people that game the system is a problem – a livelihood-impacting problem.

And I was taken to task by a reader because, you see, I often write about adventurers, thieves, people living outside the law, rule-breakers and other shady characters – and are not these individuals that abuse the system to make money in the same class?

It’s easy to write about adventurers and other shady characters in smoky, exotic taverns, when you are not a victim of their activities.

Based on the same reasoning, of course, Lawrence Block, author of the books about thief and bon vivant Bernie Rhodenbarr should not complain – or, probably, call the cops – should his house be robbed, and Max Allan Collins, chronicler of the exploits of hired killer Quarry, should not speak against shootouts. And by the way, I highly recommend anything by Block or Collins, and the Rhodenbarr and Quarry books in particular.
And, further extending that line of thought, horror writers should not have any right to speak up should their house turn out to be haunted, or should a demon eat the cats in the neighborhood.

In other words, it’s silly.

But this led me to ask myself a new question: does my writing in any way glorify the evil-doers and bring down the victims?
I do not think so, at least after a cursory review of my stuff.
Also, does writing humorously about real-life knaves from the ages past amount to condoning knavery in our everyday life?
Should I refrain from trying to stop, say, a pickpocket on the bus, because I once wrote

“pickpockets are skilled professional, it takes no skill whatsoever to rob you by pointing a gun”

Or maybe – only maybe – there’s people out there that knows no inbetween?


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Vampirella: Blood Invasion – a short review

I mentioned it yesterday, and I read it last night and today as I sat around a doctor’s waiting room – Vampirella: Blood Invasion, the first Vampirella novel written by Nancy A. Collins and published by the fiction branch of Dynamite publishing is a very fast read, and a fun one.

For the uninitiated, Vampirella is a character created fifty years ago as a host for a series of anthology magazines, that later evolved into an indie comic-book character in her own right, with her own universe, recurring characters, timeline and everything.
Often dismissed as a vampiric rip-off of Barbarella, and criticized by its open sexiness, the raven-haired and very scantly clad vampiress is a lot more than just a pin-up. She has in fact quite a nice track record, as comics characters go, with some great story arcs through the decades, and some excellent art and writing by some of the industry’s best names.

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I never wrote a vampire story

It’s something I realized a few nights back, while watching the new BBC adaptation of Dracula.
It was the classic realization thing in three movements, like a symphony, that’s often mentioned in writing handbooks:
first movement – damn, I can write better stories that this!
second movement – hey, I actually never wrote a vampire story! Never, in all these years…
third movement – opens a new folder and a new file in Scrivener.

Which of course leads to the question… why not?

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