Karavansara

East of Constantinople, West of Shanghai


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Zen and the Art of Making a Living by Writing

My brother, who plays the role of my conscience better than Jiminy Cricket, told me yesterday that I have to grow my Patreon. I was telling him that I started following a Japanese girl who has a Youtube channel where she teaches Japanese, and has over 900 supporters on Patreon, for an average of $ 5 per follower per month.
I have 42, of supporters on Patreon, people who trust me every month and bet on the fact that I will continue to write.

“You have to make sure you get more,” my brother tells me.
“Eh, it’s not easy,” I reply. “This girl holds courses, she teaches, it is clear that those interested in learning Japanese follow her …”
He shrugs his shoulders. “You also hold courses on your Patreon. That writing thing … “

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Doodling and Crimes

Today I spent a fair part of the afternoon doodling as I tried to get my next story going. I owe one of my Italian publishers a story by the end of the month. I know what I want to write, I have the characters and the general outline and direction the story will be going, I could easily have a first draft by the end of the week, just writing after diner.
But I still need an entry point.

Where does the story start?
As close as possible to action, of course, which means in the convent’s entrance hall.
But from whose point of view?
The former landed-gentry belle now making a living as a highway-woman?
Her lower-class, deceptively rough sidekick?
One of the nuns?
The old doorkeeper nun? The shrewish mother superior? A naive novice?
Somebody else altogether?

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Historical smoking and other unhealthy writing sins

I don’t smoke. I never did.
I consider it a foul habit and a waste of money. My parents did not smoke neither, my grandfathers both did (and it shortened their lives). As a kid, just walking by someone smoking usually caused me to break into a fit of cough. This was somewhat awkward during my teens and twenties, because it looked like everybody smoked then.
My girlfriend in high school smoked. Marlboros. Talk about awkward: it’s hard to be in love with someone and you start coughing like you’re about to spit a lung every time you get close to her.
But anyway…

I watched a lot of old movies, as I grew up.
I liked – and I still like today – old noirs.
Humphrey Bogart. High Sierra is one of my all-time favorites ever. The Big Sleep, too. But everything he did, really. He was a sort of role model, because like that guy said “We’re all Bogart at least once in our lives”. And Bogey always had his cigarette. The nails in my coffin, he called them.
And what about Robert Mitchum? What about all the other Marlowes of TV and Cinema?
Then there was Mike Hammer. Damn, the guy got routinely punched, stabbed and shot at, then he got home, took a shower, drank a shot of whiskey, lit a cigarette, and he was as fresh as a rose.
And don’t even get me started on James Bond.

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Revision time

Tonight I spent about three hours revising my story Bottled Up, following the extensive notes I received a few days back from the project’s editors.
It was quite interesting, because revising took me almost twice the time writing the story had taken.
As I mentioned elsewhere, working with an editor is always a great opportunity to learn something new, and this was the case.

I cut mercilessly the excess text from the opening, and then expanded the action scenes, making life for my protagonist a little harder. In full agreement with the editors, I also shortened the sentences and clarified a few points. The only suggestion I did not follow 100% was about the ending. First, because the editors had reached a split decision about the effectiveness of that last half page, and second, because in my opinion it works and gives the story a nice symmetry.

And there’s not much you can do in 2500 words – but I actually cut 400 words and added 450 new words, so I am well pleased with what I did.
The short story is already on its way to the editors, and it will be out – hypothetically – this summer.

And over the weekend my Patrons will have a chance to see the opening paragraphs of the story, before and after the editing, with some of my observations.
Because it’s good to be my Patrons, or so the story goes.


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Pulled towards the center

There are two ideas, or themes, that I have been juggling for a long while, now, and I’d like to use for something big to develop over the course of the 12 months, starting this summer.
I’ve been working on so much work-for-hire recently that I feel the need to flex my finger-muscles and do something completely mine.

Neither of the two themes is particularly new or original.
But the point is not how new your ideas are, it’s how new is the way you use them.

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Elves

Can you write sword & sorcery with elves in it?
It’s not an idle question – to me, elves are usually a mark of high fantasy, and all in all, only the old Eberron setting for D&D came close to show me it is not strictly so. Well, OK, Eberron and Shadowrun.
But, what can I say, I’m about to hit the shelves with a novella – hopefully the first of a series, should the readers like it – that is sword & sorcery (because that’s what I do and that’s what the client requested), but also features an elf. There’s always a first time, right?

The work was done to fit an existing universe, so there was no choice – elves it was. And also a very straightforward game-style structure.
I like the challenge, I like trying to write something different.
In this case, game-related fiction that is also good enough to stand on its own legs, with standard tropes thrown in, but possibly subverted.

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