Karavansara

East of Constantinople, West of Shanghai


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Just let me write this blues away: 2000 words

I have just churned out 2000 words out of nowhere, in a single sitting. One hour. My hands hurt, I need a cool drink, but now here I have the first half of a short story that’s absolutely unwanted, and that will never find a home. It’s a free writing exercise, the sort of thing that happens when I say frell it all, let me just write!
It’s also sort of a prequel of my novella Parabellum Serenade, that I’ll (hopefully) will self-publish this autumn.

It’s a war story, set in an alternate timeline in which the Great War spun out of control as the Bolshevik Revolition spilled into the West, and the resulting mess of revolts and military coups intersected the great epidemic of Spanish Flu, and then things went down the drain.
Someone might label it Dieselpunk, or whatever.

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Ocean of Storms

It’s been fifty years, give or take a few days, since we first set foot on the Moon. One of man’s greatest achievements, one we should be all proud of.
I was there, sitting on the floor in front of the telly. I was two years old and I only have very confused memories of the screen and the excitement around me – and probably they are second-hand, false memories.

The doorstep of the universe, and we had finally placed a foot on it.
Then things went differently than what we dreamed.
We had to think about “real important stuff”, I guess, like building bigger cars.

But moon dreams are what pays my bills, so I wrote a story.
A short hard SF number, about the Moon, and the future, and us.
It’s called Ocean of Storms, and I’ve just delivered it in various formats to my Patrons.

Because it’s good to be my patron, or so they say.


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Zen and the Art of Making a Living by Writing

My brother, who plays the role of my conscience better than Jiminy Cricket, told me yesterday that I have to grow my Patreon. I was telling him that I started following a Japanese girl who has a Youtube channel where she teaches Japanese, and has over 900 supporters on Patreon, for an average of $ 5 per follower per month.
I have 42, of supporters on Patreon, people who trust me every month and bet on the fact that I will continue to write.

“You have to make sure you get more,” my brother tells me.
“Eh, it’s not easy,” I reply. “This girl holds courses, she teaches, it is clear that those interested in learning Japanese follow her …”
He shrugs his shoulders. “You also hold courses on your Patreon. That writing thing … “

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Revision time

Tonight I spent about three hours revising my story Bottled Up, following the extensive notes I received a few days back from the project’s editors.
It was quite interesting, because revising took me almost twice the time writing the story had taken.
As I mentioned elsewhere, working with an editor is always a great opportunity to learn something new, and this was the case.

I cut mercilessly the excess text from the opening, and then expanded the action scenes, making life for my protagonist a little harder. In full agreement with the editors, I also shortened the sentences and clarified a few points. The only suggestion I did not follow 100% was about the ending. First, because the editors had reached a split decision about the effectiveness of that last half page, and second, because in my opinion it works and gives the story a nice symmetry.

And there’s not much you can do in 2500 words – but I actually cut 400 words and added 450 new words, so I am well pleased with what I did.
The short story is already on its way to the editors, and it will be out – hypothetically – this summer.

And over the weekend my Patrons will have a chance to see the opening paragraphs of the story, before and after the editing, with some of my observations.
Because it’s good to be my Patrons, or so the story goes.