East of Constantinople, West of Shanghai

From Hell they came…


There was a time, more or less when I was in high-school, when horror was big. And I mean BIG. I have this clear memory of the girls in my high-school class swapping big fat books: Stephen King, Peter Straub, Dean Koontz and V.C. Andrews most of all. There was this sort of underground book club going, and there were always new titles coming, mostly from a paperback publisher called Sperling & Kupfer.
Boys did not read, or if they did they went for science fiction or comic books, and fantasy was small and read by both boys and girls, but at least in my biased memory, it was the female of the species that really loved horror novels.

The 1970s and 1980s were the Renaissance of the big, fat horror novel, and that flood of titles in the Italian bookstores and in the bedrooms of nice girls all over the country was a reflection of what was going on in the English-speaking market: a boom of titles.

This phenomenon, triggered by the success of Rosemary’s Baby, The Exorcist and The Other, is the subject of Grady Hendrix’ Paperbacks from Hell, a tongue-in-cheek, sometimes frustratingly fleeting survey of the horror paperback market in the ’70s and ’80s, published by Quirk Books.

What at first might appear as a fast-and-loose book featuring beautiful cover artwork from classic and not-so-classic horror titles from those two decades, is actually a reading list from hell. Hendrix reveals enough plots to make the reader curious, and here and there teases our fascination with the strange, the grotesque, the downright bonkers.
I started reading with a certain degree of amusement, enjoying the artwork, laughing at the in-jokes, and suddenly caught myself compiling an ideal shopping list.
I know I can get Graham Masterton ebooks, what about Michael McDonald? And then there’s Valancourt, of course… damn, their books are expensive!

Also, as we pass the halfway point, Hendrix’ survey takes a deeper dive in the phenomenon. We get insight on the dynamics of paperback publishing, we see how market forces shaped editorial decisions. We get a more thorough look at the work of some (now mostly forgotten) classic authors.
What started as a leisure walk through a fun-house of weird books turns into an interesting, instructive reflection on the birth, expansion and death of a phenomenon.
It does offer some insight on things we are seeing happen today in other markets.

Paperbacks from Hell is highly recommended, and just yesterday Valancourt Books announced they will reprint a second set of five of the books mentioned in Hendrix’ book, bringing the total to ten unmissable (but damn, expensive!) books I will need to get my hands on sooner or later.

Author: Davide Mana

Paleontologist. By day, researcher, teacher and ecological statistics guru. By night, pulp fantasy author-publisher, translator and blogger. In the spare time, Orientalist Anonymous, guerilla cook.

8 thoughts on “From Hell they came…

  1. I see The Nest in there. I’m reading that one this month.


  2. Damn, I bought another book I have no time to read!


  3. This was so my era. I should’ve been a writer back then.

    Liked by 2 people

  4. I saw this in a bookstore somewhere and couldn’t resist leafing through it. Many of these are just plain funny to look at but serious enough in their own world. One on the cover though is The Nest by Charles L. Grant. I have read pretty much all of his books except for a couple of sci-fi ones that I have but have not gotten around to yet. He is one of my favorites because much of his horror is either psychological or some amorphous force which slowly but surely overwhelms thw protagonists. I first came to his work via three homages to “classic” monsters; the werewolf, the vampire, and the mummy. These were Dark Cry of the Moon, Soft Whisper of the Dead, and The Long Night of the Grave; all great fun and well done. Any effort you make to find any of his works will be well worth your time.


Leave a comment

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.