My friend Flavia says she re-reads Stephen King’s Joyland every year, usually in June, because she likes how it makes her feel. And I know a lot of people that did not like the book – and it’s because of both Flavia’s opinion and of those people’s opinion that I went and read it.
I said I’d write a review when I finished it.
Guess what… I finished it.
I’ll start by saying that Joyland plays a dangerous game, because it’s both a crime thriller and a ghost story, and if mixing genres is always dangerous, it is also true that ghost stories often deal with the revelation of some dark secret, the avenging of some old crime. So, it’s a classic mix, and it works fine. Many also point out that Joyland is a coming-of-age story, and this is throwing another genre (or is it a theme?) into the mixer.
As I said, a dangerous game, that King pulls so nicely it seems effortless.