Karavansara

East of Constantinople, West of Shanghai

The Road of Kings: Conan and Italian Opera (probably)

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Sometimes good ideas are not.
Foreign-sounding names for characters, for instance.
Apart from the vaguely Welsh/Gaelic/Tolkienoid elves and the alphabet soup of Lovecraftian monsters (of which my favorite, if apocryphal, remains “Shuub-Wankalot”), a name can make or break a character.
A basic trick I was taught long ago when naming secondary characters in my fantasy stories is to select a geographic area that somehow has the same feel of the place from which my character comes, get a map, jot down a few place names, and then tweak them a little, moving vocals around or cutting and pasting names.
Et voilà, instant names for characters.

The method can backfire spectacularly – in the 1959 version of Journey to the Center of the Earth we meet Frau Göteborg, as portrayed by gorgeous Arlene Dahl; the scriptwriters thought that, if London and Washington are legit family names for Brits and Yanks, then Swedish ladies could be called Göteborg, the second largest city in Sweden. They were wrong.
Much hilarity ensued when the movie was distributed in Sweden.

MBDJOTO FE010

The name is Goteborg, Frau Goteborg.

But there’s an even more spectacular example of “foreign” sounding names backfiring. A case in which a fine, no indeed an excellent writer, played fast and loose with naming conventions, and probably having listened to a few opera records too many, created a surreal experience for some of his readers.
Ladies and gentlemen, I give you, Karl Edward Wagner’s Conan and the Road of Kings.

Published in 1979 by Bantam Books, Conan and the Road of Kings is a good Conan apocryphal, set in the nation of Zingara.
Now, according to the Conan Wiki

Several artists have taken the interpretation of Zingara being a knightly land of rapiers and honorable duels.

9737837Yes, something halfway between Renaissance Italy and Spain – the capital city is Kordova, that sounds a lot like Córdoba, in Spain1.
Robert E. Howard also played fast and loose with naming conventions, in his time.

Karl Edward Wagner’s novel is a story full of intrigue, betrayal and political upheaval, and has Conan caught in a full-out revolution.
Which is fine. The plot is tight, there’s a lot of great action set-pieces, and if in the end this is the usual Conan story (Howard at his best was unique, no one can replicate that), K.E. Wagner’s skills and fire are still enough to make this a fun read.
And yet…

The Conan wiki also provides us with a list of characters, and here’s where the problems – for some of us – begin. Because a lot of the guys have Italian phrases or idioms for names… let’s see…

  • Captain Rinnova – “renew”, that is.
  • Santiddio, noble Zingarian seditionist leader – “Sant’iddio” is a curse, literally meaning “Holy God!”, used to express anger or frustration. Quite fitting for a seditionist leader, I guess.
  • Mordermi, Zingarian brigand – his name means “Bite me”. Yes, this *is* embarrassing.
  • Velio, Zingarian brigand – this is dubious: might be archaic Italian, “veglio” meaning “old man”, or modern Italian, meaning “I stay awake”.
  • Rimanendo, Zingarian king – “Staying” or “Remaining” in Italian. The king is clearly very attached to his throne.
  • Avvinti, noble Zingarian seditionist – little used (mostly in poetry and song), it means “tightly embraced”.
  • Carico, Zingarian commoner seditionist – “loaded”.
  • Sifino, Zingarian seditionist lieutenant – again an archaic form, “sì fino” is “so fine”, or “so subtle”. You want a fine subtle guy as a lieutenant in your sedition, I guess.
  • Inzio, Half-Pictish trader – sounds suspiciously like “inizio”, “Beginning” in Italian.
  • Destandasi, Zingarian sorceress – another unusual one, old fashioned “destandosi” means “waking up”.
  • Vindicarmi, mercenary captain – sounds a little archaic (modern usage is “vendicarmi”), it means “avenge me”, or “take my revenge”. Obviously not the sort of guy you’d mess with.

The use of so many old-fashioned, rarely used Italian forms is what makes me suspect Wagner’s source was an opera. Instinctively, my chief suspect is Il Trovatore, but it’s just a hunch and I don’t have the libretto handy2.
In the above list, only the guy called Bite Me is not very operatic in tone – but I always suspected that was a jab at Lyon Sprague de Camp, that Wagner did not like very much, and that certainly knew enough Italian to get it.

152245I read Conan and the Road of Kings when I was in high school, in English.
I got the 1986 Sphere edition of the book, the one with the grim severed-head cover, and the first time one of those Italian words appeared on the page, it hit me like the proverbial truck.
Talk about suspension of disbelief, shattered.
Because Italian is my first language, of course, and back in high school I was just starting as a reader in English. It was slow and sometimes painful, and every time Mordermi appeared on the page I would chuckle and be automatically ejected from the story.
In the end, I forced myself to shift the accents… not Mòrdermi but Mordérmi, for instance, to make those words sound less Italian to my internal ear, and less intrusive.
But even this way, it was a surreal experience.

Now what I’d really like to know is from what opera – if it really was an opera – Wagner got his names.
There’s also a character called Sandokazi, in the book3, that sounds a lot like a tweaking of Sandokan, the pirate hero created by Italian writer Emilio Salgari.
On the other hand, read with the right intonation, it also sounds like a very rude, and somewhat creative, expression of disbelief or preoccupation in Italian.
And no, it’s not the sort of expression you find in operas.
And no again, I’m not going to translate it.

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  1. or, indeed, Cordova in Alabama, but I don’t think they got many rapiers and honorable duels in Alabama, in the Renaissance. 
  2. where is my friend Claire when I need her? 
  3. she’s the sister of Santiddio and Destandasi, if you really want to know it. 
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Author: Davide Mana

Paleontologist. By day, researcher, teacher and ecological statistics guru. By night, pulp fantasy author-publisher, translator and blogger. In the spare time, Orientalist Anonymous, guerilla cook.

11 thoughts on “The Road of Kings: Conan and Italian Opera (probably)

  1. Well, Howard himself has Zamora, as in Spain (there’s another Zamora in Mexico, probably known to Howard), so Kordova follows his style. By the way, Il trovatore is based in a spanish romantic play, too!

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    • Not an original idea in the house 😀
      I knew about Zamora (incidentally, ma favorite Hyborian place).
      One thing Howard never did was use phrases straight out of another language as names… at least not as far as I know 😀

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  2. As disconcerting as these reality-based names can be, I still prefer them vastly to the generic, ‘composite’ names that are always cropping up in bad fantasy stories, e.g. ‘Erik Breakaxe,’ or ‘Moon Darkraven,’ etc.

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    • I have to agree about that.
      I remember being really let down by a book (Barbara Hambly’s “The Ladies of Mandrygin”) that was great fun, but whose main character was called Sun Wolf (and similar names cropped up on every page). Insufferable.

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  3. I’m still laughing about ‘Bite Me!’ Hahahahahaha!
    On another note though, I always thought that Karl Edward Wagner’s ‘Road of Kings’ was the best of the many Conan pastiche’s that came out after the original books were published by the old Lancer Books company.

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    • While it still is not Howard, I agree Road of Kings is probably one of the best – I liked Poul Anderson’s Conan book too.
      Incidentally, it was after reading Road of Kings that I got me a copy of Darkness Weaves, and discovered KEW’s Kane.

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  4. I still have my copies of the old ‘Midnight Sun’ magazine that was published by Gary Hoppenstad back in the 70’s that featured Wagners work. Digest sized, with thick glossy paper, it was a class act all the way. Wagner even did a large number of the illustrations. I don’t remember the price, but it was pretty expensive for what amounted to a fanzine in the mid 70’s.
    I also still have m copies of ‘Fantasy Tales’ published by David Sutton and Stephen Jones in the early 80’s. Wagners kane stories as well as stories from Darrel Schweitzer, Robert Bloch and some material by R.E. Howard, Lin Carter, David Drake, artwork by Stephen Fabian.
    no internet or digital media, but the mid 70’s to the late 80’s were a hell of a time for independently published fanzines and niche Sword 7 Sorcery/Heroic Fantasy stories and artwork.

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    • I have here couple of things by Sutton & Jones, and have to agree they did some incredible stuff. Here in my country in the same years we were still doing mimeographed stuff (not that things changed that much in the ’90s)

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